by Kamran Javadizadeh
<p>One poem. One guest. Each episode, Kamran Javadizadeh, a poetry critic and professor of English, talks to a different leading scholar of poetry about a single short poem that the guest has loved. You'll have a chance to see the poem from the expert's perspective—and also to think about some big questions: How do poems work? What can they make happen? How might they change our lives?</p>
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May 13, 2024
<p>What can a poem do in the face of calamity? This was an extraordinary conversation. <a href="https://nelc.sas.upenn.edu/people/huda-fakhreddine">Huda Fakhreddine</a> joins the podcast to discuss "<a href="https://wordswithoutborders.org/read/article/2024-01/pull-yourself-together-and-seven-skies-of-homeland-hiba-abu-nada-huda-fakhreddine/">Pull Yourself Together</a>," a poem that Huda has translated into English and that was written by the Palestinian poet, novelist, and educator Hiba Abu Nada. Hiba was killed by an Israeli airstrike in her home in the Gaza Strip on October 20, 2023. She was 32 years old. </p><p>In the episode, Huda describes watching a clip of Hiba reading the poem. You can find that clip <a href="https://youtu.be/G21gSWYWh4Y?si=I_bjrAZahNud5lhX">here</a>.</p><p>Huda Fakhreddine is Associate Professor of Arabic literature at the University of Pennsylvania. She works on modernist movements and trends in Arabic poetry and their relationship to the Arabic literary tradition. She is the author of <a href="https://brill.com/display/title/31773"><em>Metapoeisis in the Arabic Tradition</em></a> (Brill, 2015) and <a href="https://edinburghuniversitypress.com/book-the-arabic-prose-poem.html"><em>The Arabic Prose Poem: Poetic Theory and Practice</em></a> (Edinburgh UP, 2021) and the co-editor of <a href="https://www.routledge.com/The-Routledge-Handbook-of-Arabic-Poetry/Stetkevych-Fakhreddine/p/book/9780367562359"><em>The Routledge Handbook of Arabic Poetry</em></a> (Routledge, 2023). She is also a prolific translator of Arabic poetry: you can find another of her translations of HIba Abu Nada in <a href="https://proteanmag.com/2023/11/03/i-grant-you-refuge/"><em>Protean</em></a>. Follow Huda on <a href="https://twitter.com/FakhreddineHuda">Twitter</a>.</p><p>Please follow the podcast if you like what you hear, and leave a rating and review. Share an episode with a friend. You can also subscribe to my <a href="https://kamranjavadizadeh.substack.com/">Substack</a>, where you'll get occasional updates on the podcast and my other work.</p>
March 25, 2024
<p>This is the kind of conversation I dreamed about having when I began this podcast. <a href="https://www.emilyrcwilson.com/">Emily Wilson</a> joins Close Readings to talk about Sappho's "<a href="https://public.websites.umich.edu/~celueb/sappho-poems/single-page/">Ode to Aphrodite</a>," a poet and poem at the root of the lyric tradition in European poetry. You'll hear Emily read the poem in the Ancient Greek and then again in Anne Carson's English translation. We talk about the nature of erotic desire, what it's like to have a crush, and how a poem can be like a spell. </p><p>Emily Wilson is Professor of Classical Studies at the University of Pennsylvania, where she holds the College for Women Class of 1963 Term Professor of the Humanities. She is a celebrated translator of Homer, having translated both <a href="https://www.emilyrcwilson.com/the-odyssey"><em>The Odyssey</em></a> and, more recently, <a href="https://www.emilyrcwilson.com/the-iliad-sept-2023"><em>The Iliad</em></a><em> </em>(both from Norton).<em> </em>Wilson has also published translations of Euripides, Sophocles, and Seneca—and is the author of three monographs: <em>The Greatest Empire: A Life of Seneca </em>(Oxford, 2014), <em>The Death of Socrates: Hero, Villain, Chatterbox, Saint</em> (Harvard, 2007), and <em>Mocked with Death: Tragic Overliving from Sophocles to Milton</em> (Johns Hopkins, 2004). You can follow Emily on <a href="https://twitter.com/emilyrcwilson">Twitter</a>.</p><p>If you like what you hear, please follow the podcast and leave a rating and review. Share an episode with a friend! And subscribe to my <a href="https://kamranjavadizadeh.substack.com/">Substack</a>, where you'll get very occasional updates on the podcast and my other work.</p><p><br></p>
March 11, 2024
<p>"Poetry," according to this episode's poem, "makes nothing happen." But as our guest, <a href="https://www.rmc.edu/profile/robert-a-volpicelli/">Robert Volpicelli</a>, makes clear, that poem, W. H. Auden's "<a href="https://poets.org/poem/memory-w-b-yeats">In Memory of W. B. Yeats</a>," offers that statement not as diminishment of poetry but instead as a way of valuing it for the right reasons.</p><p>Robert Volpicelli is an associate professor of English at Randolph-Macon College and the author of <a href="https://global.oup.com/academic/product/transatlantic-modernism-and-the-us-lecture-tour-9780192893383?cc=us&lang=en&"><em>Transatlantic Modernism and the US Lecture Tour</em></a> (Oxford UP, 2021). That book, which won the Modernist Studies Association's first book prize, will be out in paperback in April 2024. Bob's articles have appeared in journals like <em>PMLA</em>, <em>NOVEL</em>, <em>Modernism/modernity</em>, <em>Textual Practice</em>, and <em>Twentieth-Century Literature</em>. He and I co-edited and wrote a brief introduction for "<a href="https://muse.jhu.edu/issue/41709">Poetry Networks</a>," a special issue of the journal <em>College Literature </em>(a journal for which Bob has since become an associate editor). </p><p>As ever, if you like what you hear, please follow the podcast and leave a rating and review. Share an episode with a friend! And subscribe to my <a href="https://kamranjavadizadeh.substack.com/">Substack</a>, where you'll get very occasional updates on the pod and my writing.</p>
David Naimon, Tin House Books
London Review of Books
The London Review of Books
London Review Bookshop
WNYC Studios and The New Yorker
Backlisted
Why Theory
New York Times Opinion
David Runciman
WNYC Studios and The New Yorker
BBC Radio 4
Esther Perel Global Media
The New York Times
Ellie Anderson, Ph.D. and David Peña-Guzmán, Ph.D.
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