[email protected] The Tin Dog welcomes you to sit back and listen to his rants and ramblings about all that is best in modern SF and Television. Via the gift of the new fangled Podcast over the tinterweb. As you can probably guess Tin Dog mostly talks about Doctor Who, Torchwood and Sarah Jane Smith but that wont stop him talking about any other subject you suggest. Hailing from a non specific part of the northeast of England, Tin Dog is male and in his mid 30s. A life long fan of almost all TV SF. His semi-autistic tendencies combined with his total lack of social skills have helped him find a place in the heart of British SF Fandom. Even as a child the Tin Dogs mother told him that she can trace his love of SF TV back to his rhythmic kicking, while still in the womb, along to the beat of the Avengers theme music. From Gabriel Chase to Totters Lane, from the Bad Wolf Satellite to the back streets of the Cardiff, Tin Dog will give you his thoughts on the wonderful Whoniverse. Daleks and Cybermen and TARDIS ES Oh My If you enjoy these Tin Dog Podcasts please remember to tell your friends and leave an email [email protected]
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April 19, 2025
The Doctor, Audacity and Charley visit many times and places, always with the best of intentions. But others have a different agenda... Puccini and the Doctor by Matthew Jacobs Inspired by his friends, the Doctor takes Charley and Audacity to Milan to meet Puccini and hear the music of love. But the Doctor is not the only alien entranced by humanity. The mysterious Tura is setting riddles, and for those who answer, the experience is transformative... Women's Day Off by Lisa McMullin Iceland, 1975. Charley and Audacity are thrilled to discover that the women have gone on strike. All of them. With potentially disastrous consequences for a girl called Kyla - and everyone she comes into contact with. The Gloaming by Lauren Mooney and Stewart Pringle The Doctor, Charley and Audacity arrive on Gloaming, a luxury sleep clinic in orbit around a dead world. Gloaming is filled with wealthy Sleepers, dreaming through the dark ages of their world in suspended animation. But something is growing here, creeping into minds and poisoning dreams. Something the Doctor fought long ago...
April 17, 2025
"The Robot Revolution" is the first episode of the of the series . The episode was written by , the Doctor Who , and directed by . In the episode, the (), rescues Belinda Chandra (), after she is kidnapped from and inadvertently gets involved in a war on another planet. Chandra becomes the Doctor's new . Production for the episode took place in in late-2023. It was released on , , and on 12 April 2025. Reception was mostly postive, with Sethu's characterization particularly praised. A novelisation written by is set to be released in July 2025. Plot [] Belinda Chandra's boyfriend, Alan Budd, gives her a certificate for her birthday. He but she rebuffs him. Seventeen years later, on 24 May 2025, Belinda is captured by robots and taken, as their queen, to Missbelindachandra One, a planet orbiting her star. The "Missbelindachandrakind" are composed of humanoids and robots, who coexisted peacefully until the latter took control and some humans began to rebel. The robots are controlled by the Great Generator, who plans to merge with Belinda. On their spaceship, Belinda blames Alan for registering the star, as it flies through a time fracture. , who had been in pursuit, is sent backward six months, and by the time Belinda arrives, he has become the historian. Exploiting a fault that prevents the robots from hearing every ninth word, the Doctor and the rebels rescue Belinda. The Doctor realises that the robots possess a certificate identical to Belinda's, and have had it for over 5000 years. He concludes that this is related to the time fracture. Belinda allows herself to be captured, asking the robots to spare the rebels. Belinda and the Doctor are taken to the Great AI Generator. They discover that it is not "AI" but "AL", short for Alan. After Belinda had blamed Alan, the robots used the time fracture to capture him ten years earlier in 2015. Seeing life on Missbelindachandra as a game, Alan merged himself with the machines and started the war. Using every ninth word, Alan communicates to them that he is in pain. Belinda touches her copy of the certificate to Alan's, causing them to experience all of time simultaneously. The Doctor rescues Belinda, while Alan reverts to a sperm and egg, which is cleaned up by a robot. Now free, the humanoids and robots rebuild their society, while the Doctor takes Belinda to his . He describes meeting her distant descendant Mundy Flynn and wants to know how the robots acquired the certificate, but Belinda, disturbed at his insistence that their encounter is "destiny" and refusing to be one of his adventures, demands to be taken home. The TARDIS is unable to return to 24 May 2025, instead bouncing off that date. The Doctor tells Belinda that they will need to take the long way around. As the TARDIS dematerialises, debris from several Earth landmarks and the certificate float in space. Production [] Development [] "The Robot Revolution" was written by . He initially conceptualized the idea as a one-off story and later reworked it into a to serve as a companion introduction. Davies said that it was a "difficult" episode to write, because he struggled with turning a joke about star naming into a full script. He also viewed it as a wider narrative about the concerns surrounding artificial intelligence in a real-world context. A for the episode included "Belinda and the Robots". Filming [] Screenshot from the film Promotional poster for The team used and as references. Set design began at in October 2023. Phil Sims said he and Davies took inspiration from and when . They were created with a appearance influenced by the . Millennium FX designed the robot costumes over the course of eight weeks. They were first created digitally and split into 34 different pieces to be . Afterwards, the pieces were assembled with glue and finished with and . The polish robot that appears in the episode was designed with a similar 1950s aesthetic, primarily being based on cars of the time period. The robot had unique wheels that allowed it to move laterally as well as straight ahead, as the designers wanted the robot to have a unique range of motion compared to other robots of similar size. The AI Generator was similarly designed to appear large and imposing, with the set and art design teams collaborating to determine where the presence of Alan would be inside of the machine. The set for the throne room, where Belinda is initially brought in the episode, is re-used for the AI Generator's room. The design team placed the "head" of the Generator's design just below the room's centerpiece in order to create the illusion that the room acted like a crown for the Generator and that the room is an extension of him. The episode was directed by . It was recorded in the second filming block of series 15 along with the fourth episode, "". occurred in November 2023 in while filming also took place at Wolf Studios. Casting [] The episode stars as the of and introduces as his , Belinda Chandra. Sethu previously played a separate but related character in the episode "" (2024). reprised her role as Mrs Flood, an enigmatic character who was first introduced in (2023) and recurred in the previous series. Alan Budd (the episode's antagonist) was portrayed by Jonny Green, who formerly voiced characters in various and . Other members of the guest cast included , Jeff Kunjumon, Evelyn Miller, and Caleb Hughes. Two of the robots were operated by Stephen Love and Robert Strange; the two worked as Wrarth Warriors in "" (2023), while Strange also handled the costume in "" (2024). Broadcast and reception [] Professional ratings Aggregate scores Source Rating (Tomatometer) 100% (Average Score) 7.10/10 Review scores Source Rating B- 6/10 Release [] "The Robot Revolution" was released on at 8 a.m. (BST) in the United Kingdom and on in the United States at 12 a.m. on 12 April 2025. A broadcast followed later in the day at 6:50 p.m. BST. also handled international distribution of the episode. Ratings [] Overnight viewing figures estimate that the episode was watched by 2 million people on its BBC One broadcast, making it the second most-watched programme on BBC One behind the finale of , as well as the fourth-most watched programme of the day. Critical reception [] On the website , 100% of 8 critics' reviews are positive, with an average rating of 7.10/10. Will Salmon with highlighted the setting of the episode and its design, but criticized the episode for being "light", as well as due to confusing plot points toward the end of the episode. Writing for , Stefan Mohamed highlighted the Doctor's characterization and the episode's new visual and directorial techniques, but criticized Alan as a villain and the death of Sasha 55 as a weak narrative moment. 's Roxy Simmons found the episode enjoyable but found the episode to make very little impact on the audience, and found the commentary unsubtle. Belinda's characterization and Sethu's performance was near universally praised. author Ed Power praised the Doctor's characterization and the fun nature of the episode, though felt that elements of Alan's characterization as a "nerdy" character would receive negative reception, and that Sasha 55's death was unnecessary for the episode's plot. critic Robert Anderson criticized the episode as feeling "shallow", as well as the twist of the AI Generator being Alan. Reviewing the episode for , Jack Seale highlighted the episode's re-introduction of the Doctor's character and the inclusion of topical issues, but criticized the twists involving the AI Generator as well as the execution of the episode's message. 's Chris Taylor argued that Belinda's characterization was weak, and that she lacked a sense of purpose compared to other past companions. He also criticized the episode's social commentary, feeling that the episode moved to fast to properly critique any aspect of society. Michael Hogan, penning a review for felt some of the episode's social commentary was not well-executed, and felt jarring given the episode's time slot.
April 12, 2025
2. The Death and Life of River Song Series 02: Ace and Tegan This title was released in March 2025. It will be exclusively available to buy from the Big Finish website until 31 May 2025, and on general sale after this date. Ace and Tegan have been plucked from their twenty-first century lives and stranded in 1860. But who is responsible, and why is River Song mixing in nineteenth century society too? Somebody is out to eliminate the three of them, as Ace and Tegan realise that this may not be their first meeting with River. Their lives are entangled, and to escape, somebody must pay the ultimate price... 2.1 Castaways by James Moran Adrift in the past, Ace and Tegan are looking into supposed hauntings on London's new underground railway lines. But how and why are they there? Their memories are not what they were, and they are about to encounter River Song, perhaps not for the first time. One thing is certain - River knows more than she is telling! 2.2 Driftwood by Roland Moore Back in her TARDIS travels, Ace is cut off from the Doctor, on a stricken spaceship with sixty minutes to live. Something has invaded the vessel - something that travels along wires and can control its metal structure. As time runs out, Ace's only hope may be a mysterious woman with a blaster and fantastic hair. 2.3 Dead Rising by Roland Moore With the Doctor and Turlough on ice, Tegan faces interrogation from the Pilot of Vrexel colony. Something is making the colonists drop down dead... Tegan claims she is just in the wrong place at the wrong time. But when River Song arrives and the dead start rising, Tegan's problems get a whole lot worse... 2.4 The End is the Beginning is the End by James Moran River, Ace and Tegan must stop Gregor Ganley from changing their past again, and again... and again. But he's always one step ahead. And River's new friends want to convince her that assassination is not always the best option. But first, they have the matter of imminent certain death to deal with... **Please note: the collector’s edition CD box set is strictly limited to 1,250 copies**
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