by Ayesha Khan
<p>The Every Single Sci-Fi Film Ever* podcast looks back at more than a century of films, beginning in 1902 and working towards the future. Each episode focuses on a film, director or theme and brings in experts to discuss the history, politics, and influences. Join sci-fi enthusiast Ayesha Khan as she travels through time and space, encounters aliens, and battles authoritarian regimes all from the comfort of your home planet. Released every two weeks<br><br></p><p>*Almost</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>
Language
🇺🇲
Publishing Since
3/13/2024
Email Addresses
1 available
Phone Numbers
0 available
April 13, 2025
<p>You can find the podcast on <a href="https://www.threads.net/@everyscififilm" rel="noopener noreferrer" target="_blank">Threads</a>, <a href="https://www.instagram.com/everyscififilm" rel="noopener noreferrer" target="_blank">Instagram</a> and <a href="https://bsky.app/profile/everyscififilm.bsky.social" rel="noopener noreferrer" target="_blank">Bluesky</a>. </p><br><p>In 1992 Ishiro Honda sat down for his <a href="https://www.tohokingdom.com/blog/ishiro-honda-his-final-interview/" rel="noopener noreferrer" target="_blank">final interview</a> with journalist David Milner. When asked about which of his own films were his favourite Honda listed Godzilla (1954), Gorath (1962) and The Mysterians from 1957.</p><p> </p><p>The Mysterians is a visually beautiful film full to the brim with sci-fi tropes. A technologically advanced but desperate alien race, affected by radiation, is invading earth and wants to take our healthy women for breeding purposes. There’s also a groovy space station and the first mecha-kaiju in the form of Moguera. A film made at a time when Japan seems to be wrangling with what it means to be a post imperial, post nuclear tragedy country with a growing economy and a booming film industry.</p><p> </p><p>I have two wonderful experts to help shed light on the context of this trope laden sci-fi classic.</p><p> </p><p>Jay Telotte is Professor Emeritus of film and media studies at Georgia Tech. He has written/edited numerous books and articles about science fiction film including the 2023 book Selling Science Fiction Cinema.</p><p> </p><p>Yuki Miyamoto is Professor of Religious Studies and Director of the Humanities Center at DePaul University. Her work focuses on the ethics around nuclear discourse.</p><p> </p><p>Chapters</p><p>00:00 Introduction</p><p>01:56 Japanese Golden Age of Cinema: censorship, art vs big budget & the USA</p><p>08:47 Pacifism and militarism</p><p>14:04 Toho studios</p><p>15:36 Glorious colour, Toho-scope and cinema culture</p><p>19:57 Tradition, science and military might</p><p>27:55 Taking our women: occupation, war & marketing</p><p>36:55 Message of collaboration</p><p>39:50 The US market</p><p>44:51Battle of the Planets</p><p>45:55 Shout outs: Akira Ifukube and Eiji Tsuburaya</p><p>48:10 Legacy and Recommendations</p><p> </p><p> </p><p>NEXT EPISODE!</p><p>In two weeks we will be speaking about a film that shocked me with its striking visual style. The Fabulous World of Jules Verne (1958), also known as Invention for Destruction or in its original Czech: Vynález zkázy. You can look to find the film on Just Watch but people in mainland and central Europe may find it easier to find with mainstream streaming services. The Criterion Channel also has the film available and there may be some Central and Eastern European services that you may be able to sign up to. I believe there may be a copy on YouTube but I am unsure of its quality or validity.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>
March 30, 2025
<p>You can find the podcast on <a href='https://www.threads.net/@everyscififilm'>Threads</a>, <a href='https://www.instagram.com/everyscififilm'>Instagram</a> and <a href='https://bsky.app/profile/everyscififilm.bsky.social'>Bluesky</a>. <br/><br/>I Married a Monster from Outer Space was released as part of a double bill (with The Blob) in 1958. The story focuses on newlywed couple Marge and Bill Farrell but unbeknownst to his new bride and the whole town Bill has been replaced by an alien on the eve of their wedding. <br/><br/>Themes of marriage, resentments and gendered expectations are as rife as can be expected in the 1950s. We have two insightful experts help shine a light on these themes. </p><p><b>The Experts </b></p><p>Thomas Doherty is a professor of American Studies at Brandeis University, he is a cultural historian with a special interest in Hollywood cinema on which he has written extensively. </p><p>Sherryl Vint is Professor of Science Fiction Media Studies at the University of California, Riverside. She has written/edited many books about science fiction. </p><p><b>Chapters </b></p><p>00:00 Introduction </p><p>01:58 Science fiction golden age and the marriage melodrama </p><p>05:27 The female led sci-fi film and Betty Friedan’s The Feminine Mystique </p><p>08:40 Patriarchal expectations of 1950s men </p><p>13:24 Changes in post war America </p><p>16:33 The Hays production code and the scandalous double bed </p><p>21:19 The Alien: looking good and learning to love </p><p>26:14 Marge’s dilemma</p><p>30:42 Romantic, sexual and gendered anxiety </p><p>39:20 Devil Girl from Mars: Aliens are coming to take our men! </p><p>41:36 Legacy </p><p>45:59 Recommendations for the listeners</p><p><br/><b>NEXT EPISODE! </b></p><p>Next episode we will be hopping slightly back in time and discussing The Mysterians from 1957. The film was made in Japan by Toho studios. It is quite difficult to buy or rent a copy but is available in some regions on FlixFling, The Criterion Channel and some other internet sites. </p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>
March 15, 2025
As usual there are spoilers ahead! Somewhere in the late 1950s society began to come to terms with the idea of the teenager. Teens were heading to the cinema leaving younger siblings and parents at home. The Blob (1958) isn‘t a tale of rebellion or film warning about teenage delinquency but a thoroughly enjoyable time with a catchy theme tune. I have two wonderful guests to help us unravel this classic 1950s sci-fi. The Experts Roger Luckhurst is a Professor at Birkbec...
Mike Bubbins, John Rutledge, Podstarter
FilmNation Entertainment
BBC & CBC
Benjamen Walker & Radiotopia
Hi Barr
iHeartPodcasts
iHeartPodcasts
Neil deGrasse Tyson
SiriusXM and Atlas Obscura
The HISTORY® Channel | Back Pocket Studios
Gary Arndt | Glassbox Media
iHeartPodcasts
Vox
Unknown author
Eric Molinsky | QCODE
Pod Engine is not affiliated with, endorsed by, or officially connected with any of the podcasts displayed on this platform. We operate independently as a podcast discovery and analytics service.
All podcast artwork, thumbnails, and content displayed on this page are the property of their respective owners and are protected by applicable copyright laws. This includes, but is not limited to, podcast cover art, episode artwork, show descriptions, episode titles, transcripts, audio snippets, and any other content originating from the podcast creators or their licensors.
We display this content under fair use principles and/or implied license for the purpose of podcast discovery, information, and commentary. We make no claim of ownership over any podcast content, artwork, or related materials shown on this platform. All trademarks, service marks, and trade names are the property of their respective owners.
While we strive to ensure all content usage is properly authorized, if you are a rights holder and believe your content is being used inappropriately or without proper authorization, please contact us immediately at [email protected] for prompt review and appropriate action, which may include content removal or proper attribution.
By accessing and using this platform, you acknowledge and agree to respect all applicable copyright laws and intellectual property rights of content owners. Any unauthorized reproduction, distribution, or commercial use of the content displayed on this platform is strictly prohibited.