by 阁楼之外
《阁楼之外 Beyond the Attic》是一档由两个志趣相投、牙尖嘴利的女友共同制作的节目。在这里,我们从性别视角谈论一切令我们心潮澎湃的话题,我们希望烧毁当下的桎梏,跟随“她”的足迹,去往那片无边藻海。 联系我们:[email protected]
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🇨🇳
Publishing Since
1/29/2025
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January 29, 2025
<p>新年伊始,蛇作为生肖吉祥物随处可见。但我们也许会发现,大街小巷里的蛇并不像“蛇”,而是萌化的蛇、像龙的蛇、与兔或狗结合在一起的蛇……似乎它只能以“无害”的形象出现在公共场合。</p><p>这种现象无疑与人对蛇的普遍恐惧心理有关。只是,我们对蛇的排斥从何而来?四处放毒、“大象杀手”、奇妙的性……我们对蛇又有几分真知,几分误解?</p><p>也许,母系社会的先民比我们更能领会蛇的生存智慧。到底是怎样的特质,使得蛇在当时能够被看作女神的盟友,以贯通生死的生命能量守护着女性的智慧、灵性与权力?</p><p>由此追问,从信奉亲近到避之不及,我们对蛇的印象为什么发生了改变?人类对蛇的恐惧可能源自生物遗传,但更多来自于文化偏见的不断强化。在从母系社会过渡到父权社会的漫长时间里,关于蛇和女神的故事被不断改写;随着女神的降格,受其庇佑的女人和蛇也失去了她们的地位。男神的神庙建在蛇的尸体上,而作为“她者”的蛇与女性被不断涂抹、扭曲。至此,蛇不再是蛇,女人也不再是女人。</p><p>好在,女人开始夺过笔,去创建属于自己的故事屋——从自我探索的“青蛇”,到书写生命的“短蛇诗”,再到重构复仇叙事的“美杜莎”……今天我们重书蛇和女性的故事,“并不是对过去的还魂,而是面向未来的降临”。正如蛇的生灭循环不是旧事物的轮回,而是蜿蜒不息的前行。</p><p><strong>【时间轴】</strong></p><p><strong>Part1 蛇与女神时代</strong></p><p>00:35 萌化的蛇与恐蛇情绪</p><p>03:23 神奇蛇蛇在哪里</p><p>12:15 生命之蛇:蛇的交配与女娲之肠</p><p>15:08 死亡之蛇:春生冬眠,自然循环</p><p>18:56 守护之蛇:瓦吉特的第三只眼</p><p><strong>Part2 她与它的失落</strong></p><p>21:09 女神降格:雅典娜失母,女娲添新夫</p><p>26:28 蛇的失落:被杀死的蛇,被污名化的美杜莎</p><p>29:29 盟友危机:只有夏娃回应蛇</p><p>32:54 涂抹蛇女:纯粹“她者”白素贞</p><p><strong>Part3 重拾属于女性的神谕</strong></p><p>37:59 与蛇相逢:青蛇与真实的女性叙事</p><p>42:19 以蛇为书:“短蛇诗”是阿富汗女性的生命书写</p><p>45:27 复调历史:美杜莎的复仇</p><h2><strong>【相关内容】</strong></h2><ul><li><p><strong>来自诺斯的石头</strong></p></li></ul><figure><img src="https://image.xyzcdn.net/FgAbWpyDeIwcaY7OhQDjbdrOM3yT.png"></figure><p>亮周期可能作为再生的象征,被雕刻在诺斯的边石上。①螺旋纹或为蛇盘纹表示满月;左新月和右新月从其纹样可以区分。②弯蛇纹的弯曲次数在14和17个之间,刚好为月亮到达满月的天数或一年中满月的天数。弯蛇纹可能为渐强月轮的象征。通道墓文化(诺斯 NE6和 SE3,博因河谷,米斯郡,爱尔兰;公元前 4世纪中叶或下半叶)。长约180 厘米。</p><ul><li><p><strong>陶制“戈尔工”头颅</strong></p></li></ul><figure><img src="https://image.xyzcdn.net/FugisZ8eswKLOnJ0qv5X7pdD2ulX.png"></figure><p>圆圆的眼睛,洞开的鼻孔,还有一条伸出的舌头,强化了这个红白彩绘的陶制“戈尔工”头颅,典型的古典时期塞斯克洛文化造型;公元前6000一公元前5800年(塞萨利,希腊北部)。</p><ul><li><p><strong>古希腊戈尔工造型制品</strong></p></li></ul><figure><img src="https://image.xyzcdn.net/FpZpDngA7UYjmOOomnFu38dRovmj.png"></figure><p>古希腊戈尔工的造型是圆睁的双眼,长长的獠牙,垂伸的舌头,头部发散出葡萄藤、蛇和蜥蜴。</p><p>图(a)浮雕(叙拉古[Syracuse]博物馆,意大利);图(b)雅典双耳酒罐上的图画(卢浮宫博物馆,巴黎,法国)。</p><ul><li><p><strong>瓦吉特</strong></p></li></ul><figure><img src="https://image.xyzcdn.net/FpUUcNQmZeWfRDqN4IlZ4j9jgNPO.png"></figure><ul><li><p><strong>雅典娜诞生</strong></p></li></ul><figure><img src="https://image.xyzcdn.net/FhZJ6ZbE-3jaLGFfhE4v-CFht1e_.png"></figure><p>左:上为雅典娜,下为宙斯;右:墨提斯。(Black-figured amphora, 550–525 BC, Louvre.)</p><ul><li><p><strong>伏羲女娲交尾图</strong></p></li></ul><figure><img src="https://image.xyzcdn.net/lhHR6awei-cUs_q2GxUMIl34DJxA.png"></figure><p>(新疆吐鲁番阿斯塔那唐墓群77号墓出土的伏羲女娲图像(交尾图)。</p><ul><li><p><strong>美杜莎与珀尔修斯</strong></p></li></ul><figure><img src="https://image.xyzcdn.net/FoXoMblgzA91gOVuLoSTw3jbVe38.jpg"></figure><p>Perseus with the Head of Medusa, in the Loggia dei Lanzi, Florence</p><figure><img src="https://image.xyzcdn.net/FknJIExpA-ETKetoYGH_H1w5GdHz.jpg"></figure><p>Luciano Garbati's “Medusa With The Head of Perseus” being installed at Collect Pond Park today</p><p>(因审核机制,此条配图有部分打码,敬请谅解)</p><p><strong>【参考书目与剧目】</strong></p><ul><li><p>《山海经》</p></li><li><p>《圣经》<br>《神谱》,赫西俄德 著</p></li><li><p>《变形记》,奥维德 著</p></li><li><p>《奥瑞斯忒亚》,埃斯库罗斯 著</p></li><li><p>《博异志》,谷神子 著</p></li><li><p>《警世通言》,冯梦龙 著</p></li><li><p>《雷峰塔传奇》,方成培 著</p></li><li><p>《青蛇》(话剧),田沁鑫執導,秦海璐、袁泉、辛柏青、董暢主演</p></li><li><p>Awakening the Ancient Power of Snake: Transformation, Healing, and Enlightenment, by Dawn Baumann Brunke</p></li><li><p>I Am the Beggar of the World: Landays from Contemporary Afghanistanm, by Seamus Murphy (Photographer), Eliza Griswold (Translator)</p></li><li><p>《美杜莎的笑声》,埃莱娜·西苏 著,米兰 译</p></li><li><p>《活着的女神》,马丽加·金芭塔丝 著,米里亚姆·R.德克斯特 主编,叶舒宪 译</p></li><li><p>《女神的语言》,马丽加·金芭塔丝 著,苏永前、吴亚娟、祖晓伟 译</p></li><li><p>《乐园之丘》,米尼克·希珀 著,王晚名 译</p></li><li><p>《圣杯与剑》,理安·艾斯勒 著,程志民 译</p></li><li><p>《大观红楼2》,欧丽娟 著</p></li><li><p>《青蛇》,李碧华 著</p></li><li><p>谢燕清.大传统与小传统——白蛇故事的三期型变[J].民俗研究,2007,(01):230-238.</p></li><li><p>李夏.论白蛇形象之演变及文化意蕴[J].民族文学研究,2012,(02):149-155.</p></li><li><p>白惠元.妖怪政治学:青蛇形象及其边缘话语生产[J].南方文坛,2024,(06):34-43+2.</p></li></ul><h2><strong>【本期题图】</strong></h2><ul><li><p>Judy Chicago (American, b. 1939). The Dinner Party (Snake Goddess plate), 1974–79. Brooklyn Museum. (Photo: © Donald Woodman)</p></li></ul><h2><strong>【本期音乐】</strong></h2><ul><li><p>片头:I ain't afraid, by Betsy Rose/ Womansong Chorus</p></li><li><p>中插:《蛇》,演唱:容祖儿</p></li><li><p>片尾:Savage Daughter (Lyrics), by Ekaterina Shelehova</p></li></ul><h2><strong>【本期成员】</strong></h2><p>予警,辋川</p><h2><strong>【联系我们】</strong></h2><p>邮箱:[email protected]</p>
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