by Ben Consoli
Go Creative Show is a place for revealing and informative interviews with A-list filmmakers. Hosted by Producer and Director Ben Consoli, each week we feature cinematographers, production designers, directors and producers to share behind the scenes experiences from the hottest movies and shows. Whether you're a brand new filmmaker or a film industry veteran, Go Creative Show will entertain, inform and make you a better filmmaker.
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🇺🇲
Publishing Since
8/4/2020
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March 3, 2025
<p>In this episode of the Go Creative Show, Jessica Lee Gagné returns to discuss her experience filming Severance Season two, plus her Episode 7 directorial debut. She shares insights into her creative process, the challenges of shooting in unique environments, and the evolution of cinematography from Season One to Season Two. Jessica emphasizes the importance of collaboration, the emotional journey of directing, and the innovative techniques used in the series, including transitions and lighting choices. The conversation highlights her growth as a filmmaker and her aspirations for future projects</p> <p><strong>Takeaways</strong></p> <ul> <li>Jessica's directorial debut was a significant milestone in her career.</li> <li>The opening shot of Episode 1 was a complex and collaborative effort.</li> <li>Cinematography choices were crucial in maintaining the show's visual language.</li> <li>Lighting evolved significantly from Season One to Season Two.</li> <li>Collaboration with colorists was essential for achieving the desired aesthetic.</li> <li>Directing Episode 7 allowed Jessica to explore new themes and storytelling techniques.</li> <li>The emotional journey of directing was both challenging and rewarding for Jessica.</li> <li>Trust and communication among the crew were vital for the success of the episode.</li> <li>Flashbacks were a unique storytelling device that added depth to the narrative.</li> <li>Innovative transitions in Episode 7 showcased the show's creative evolution.</li> </ul> <p><strong>LINKS</strong></p> <p><a href= "https://www.instagram.com/jessicaleegagne/?hl=en">Jessica Lee Gagné</a><br /> <a href="https://gocreativeshow.com">GoCreativeShow</a><br /> <a href="https://bcmediaproductions.com">BC Media Productions</a><br /> <br /></p> <p> </p> <p> </p>
January 28, 2025
<p>In this episode of the <a href="https://gocreativeshow.com">Go Creative Show</a>, cinematographer Drew Daniels discusses his work on the film Anora, exploring the choices made in shooting on film, the challenges of balancing family life with a demanding career, and the unique lighting techniques that evoke a 70s aesthetic. He shares insights into the language of film, the importance of capturing authenticity, and how chaos can enhance the storytelling process. Drew reflects on his evolving collaboration with director Sean Baker and the milestones in his career that have shaped his approach to cinematography.</p> <p><strong>Takeaways</strong></p> <ul> <li>Shooting on film was a given for Anora.</li> <li>The process of filmmaking can be challenging for family life.</li> <li>Anamorphic lenses add a layer of magic to the film.</li> <li>Lighting techniques were inspired by 70s aesthetics.</li> <li>Capturing authenticity is key to engaging storytelling.</li> <li>Chaos in filmmaking can lead to unexpected creativity.</li> <li>Collaboration with directors shapes the cinematographer's work.</li> <li>Career milestones can redefine a cinematographer's path.</li> <li>The importance of a supportive crew in filmmaking.</li> <li>Innovative techniques can elevate the visual storytelling.</li> </ul> <p><strong>Links</strong></p> <p><a href="https://www.drewdanielsdp.com">Drew Daniels</a></p> <p><a href="https://www.imdb.com/name/nm2588703/">IMDB</a></p> <p> </p>
January 13, 2025
Cinematographer Phedon Papamichael shares his innovative techniques and insights on shooting A Complete Unknown, a 1960's era film, with director James Mangold, emphasizing the importance of texture, authenticity, and creative collaboration.
James Ellis Deakins, Roger Deakins
Patrick O'Sullivan - Cinematographer, Director of Photography, & Leica M Enthusiast
Team Coco & Earwolf
WNYC Studios
CAFE
This American Life
The New York Times
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