You probably think you know what life was like in Britain after the war. But what myths do we tell ourselves about the pre-digital world? From coal to contraception and ID cards to school beatings, Ros Taylor delves into the truth about British postwar life in Jam Tomorrow. From the makes of Oh God, What Now? Follow Jam Tomorrow on Twitter
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October 15, 2024
What does it mean to be Welsh? The writer Jan Morris said Wales was ‘a distinctly separate and often vehement idea’. But what is that idea? Do you need to understand Welsh to grasp it? How is Wales … different? And is it going to become even more unlike England? Ros Taylor talks to Swansea University professor Martin Johnes and Plaid Cymru Senedd member Heledd Fychan about the history of the Welsh nationalist movement and the future of the Welsh language. ‘There’s lots of angst with being Welsh.’ — Heledd Fychan, Plaid Cymru Senedd member ‘The idea that you should take decisions about Wales in Wales has become a political norm. Has devolution made any practical difference to life in Wales? Probably not, to be honest.’ — Prof Martin Johnes ‘Part of the problem is that in many ways we have a one-party state in Wales… Wales is a very small place and Wales suffers from the fact it doesn’t have a diversity of opinions.’ — Martin Johnes ‘Can you believe that in 2024, despite 25 years of devolution, it’s not been normalised that children in Wales should learn Welsh history?’ — Heledd Fychan JAM TOMORROW is written and presented by Ros Taylor. The producer is Jade Bailey. Voiceovers are by Seth Thevoz. Music is by Dubstar and artwork by James Parrett. The managing editor is Jacob Jarvis and the group editor is Andrew Harrison. JAM TOMORROW is a Podmasters production. Learn more about your ad choices. Visit podcastchoices.com/adchoices
October 1, 2024
The expulsion of Asians from Uganda in 1972 was brutal. Twenty eight thousand refugees arrived in Britain. The government scrambled to find homes and jobs for them. Not everyone was pleased about it. But if Ugandan Asians held British passports they had the right to come here — and most of them thrived. Why did they do well — and can it teach us anything about how we treat refugees? Neena Lakhani was 14 when she was forced to leave Uganda. She tells Ros Taylor what it was like to start a new life in Britain, while King’s College London professor Jonathan Portes talks about what happened to the East Asian migrants who arrived. ‘My father said please don’t touch my children. You can kill me but don’t kill my children.’ - Neena Lakhani ‘Everybody around us was welcoming, and that was such a joy.’ - Neena Lakhani ‘The benefits of promoting successful integration, as we know with the East African Asians, are very large.’ - Jonathan Portes JAM TOMORROW is written and presented by Ros Taylor. The producer is Jade Bailey. Voiceovers are by Seth Thevoz. Music is by Dubstar and artwork by James Parrett. The managing editor is Jacob Jarvis and the group editor is Andrew Harrision. JAM TOMORROW is a Podmasters production. Learn more about your ad choices. Visit podcastchoices.com/adchoices
September 17, 2024
In 1969, three kilometres under the North Sea, drillers found something that would change Britain completely. It would transform us into an oil-producing nation, fuel Thatcherism in the 1980s, feed resentment in Scotland — and yet all of it happened largely out of sight of most Britons. How did North Sea oil and gas change us? What’s life like for the dwindling group of people who work in the industry? And can drilled-out fields actually help to combat global heating? “At peak production, the revenue from North Sea profits were taxed at 95 percent.” – Jon Gluyas, chair in geoenergy, carbon capture and storage at Durham University “People are not blind to what is happening in the industry… It’s hard for older workers.” – photographer and oil worker Peter Iain Campbell “There’s no doubt about the impact the burning of fossil fuels has had on our environment. We also have to acknowledge how it has utterly transformed our society over the last 50 years.” – Peter Iain Campbell A selection of Peter Iain Campbell’s photos of North Sea oil installations are on his website. JAM TOMORROW is written and presented by Ros Taylor. The producer is Jade Bailey. Voiceovers are by Seth Thevoz. Music is by Dubstar and artwork by James Parrett. The managing editor is Jacob Jarvis and the group editor is Andrew Harrision. JAM TOMORROW is a Podmasters production. Learn more about your ad choices. Visit podcastchoices.com/adchoices
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