<p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal">回到妖与传说恣意的年代，看狐仙鬼怪、书生、官僚与百姓……</p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal">这是入门聊斋的读书笔记，也是文学理论的应用实践。</p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"> 唯聊斋，能使我们更丰富；唯真实，为文学之信仰！</p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal">正是《聊斋》这样一本奇书，让阎连科深深着迷，透过不同的稜镜，重新探索它在真实与虚幻间二重辩证又相互结扭、映照的特性。他以东、西方的名著纵横参照，从《聊斋》故事中最为人熟知的「狐狸」一族悠悠说起，谈非人、神异，再至人世、日常，下看地府鬼魂，上探宗教与神，看蒲松龄无尽地书写人和人世之困绝同时，书写非人对「人和人的生活」之向往。阎连科指出蒲松龄写出了一个人类巨大的悖论：人的美好是一切美好之最；而人的美好又被人类所毁灭、诅咒、侵害和玷污。</p><span><br /></span><br />
Language
🇨🇳
Publishing Since
9/23/2023
Email Addresses
1 available
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October 19, 2023
October 18, 2023
October 18, 2023
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