by Macintosh & Maud
The podcast where Macintosh & Maud force each other to watch the movies they should've already seen.
Language
🇺🇲
Publishing Since
8/26/2017
Email Addresses
1 available
Phone Numbers
0 available
March 17, 2025
CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER We're seen all the movies, we've enjoyed or destroyed them all based on how we feel, and the big night is here at last. We start off with a discussion of the 35th Annual Academy Awards and how unremarkable it was - save for one very uniquely petty acceptance speech. Frank Sinatra may be charming, but he really shouldn't emcee an awards show. Then we dive deep into the 2025 Oscars, are befuddled and disappointed by how much everyone seems to love Anora, declare love for Conan O'Brien's bits and the nation of Latvia, and overall just seem underwhelmed by the year in movies that was. Come along for a final Oscars episode to wrap our season on Macintosh & Maud Haven’t Seen What?! You can email us with feedback at [email protected], or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Interstitial music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpts taken from the 35th Academy Awards held on April 8, 1963.
March 11, 2025
CONTENT WARNING: Discussion of racism, sexual assault, false imprisonment. 1962 contained not one but two books that were thrust upon us as required school reading (or acting), but none loom as large as this story. To be fair, it’s one of the few stories about the pre-Civil Rights Act South that’s presented through the eyes of a child, and that means it’s perfect school fodder. The movie was a huge labor of love from the entire creative team, which is fantastic and reads on screen, but also makes for a truly uneven watching experience. Director Robert Mulligan gets the most out of the cast, but his execution of trying to see things through Jem & Scout’s perspective never translates on screen. In fact, the only moments that truly work are in the courtroom, when the reality of small town Alabama racism come roaring back. It’s a shame it’s not a better movie because Gregory Peck is giving his masterpiece performance and the kids are phenomenal on screen, but acting alone cannot a movie make. We wrap up Oscars ‘62 with To Kill A Mockingbird onMacintosh & Maud Haven’t Seen What?! You can email us with feedback at [email protected], or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from the main title to the film To Kill A Mockingbird, written and composed by Elmer Bernstein. Copyright 1962 Universal Studios. All Rights Reserved. Excerpts taken from the introduction to the 35th Academy Awards held on April 8, 1963.
March 1, 2025
CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Horror, gore, child murderers, child molesters, serial killers, knives. We're coming up on the 2025 Oscars and we share our main picks, our takes on the nominees, and why Emilia Perez is one of the worst nominees ever posted to the Oscars, all in this bonus episode of Macintosh & Maud Haven’t Seen What?! You can email us with feedback at [email protected], or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive.
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