by 貓貓兔兔
藝術史為主軸，以台灣展覽為經緯，探討展覽作品的藝術故事和展演機制，加入上班族日常生活的分享，發現忙碌中的優雅與美好。 歡迎追蹤IG一起看展分享生活唷~ IG: maomaotutu9 https://www.instagram.com/maomaotutu9/ -- Hosting provided by <a href="https://www.soundon.fm/" target="_blank">SoundOn</a>
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🇨🇳
Publishing Since
2/28/2022
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March 30, 2025
圖像世代當道，資訊大量餵食，何謂真何謂假，眼見為憑是否已非事實，大千世界哪裡可尋真山水，便從藝術之眼中起步吧 更正:開頭介紹應為歷史的結舌，不是歷史的詰問 展期: 2025/01/18 - 2025/05/11 地點: 台北市立美術館 參考資料: 托馬斯·德曼──歷史的結舌展覽牌簡介。 孫金燕 | 無法與無需抵達之象：貢布里希藝術思想核心理念討論 每日頭條<<a href="https://kknews.cc/culture/pjae448.html">https://kknews.cc/culture/pjae448.html</a>> 轉載於 《符號與傳媒》第21期2020年第2期 第 32-45 頁 敖想 為什麼貢布里希說「實際上沒有藝術這種東西，只有藝術家而已」？ 每日頭條< <a href="https://kknews.cc/culture/q4rvnzb.html>">https://kknews.cc/culture/q4rvnzb.html></a> 4.朱貽安 雕塑真實：托馬斯．德曼的模型、影像與觀察者 典藏<<a href="https://artouch.com/art-views/content-83190.html>">https://artouch.com/art-views/content-83190.html></a> 貓貓兔兔ig: <a href="https://www.instagram.com/maomaotutu9/**">https://www.instagram.com/maomaotutu9/</a> -- Hosting provided by <a href="https://www.soundon.fm/">SoundOn</a>
January 24, 2025
如果現代社會講求的是科技、革新與時效，那麼20世紀初或是比20世紀更早的年代，那個還沒有一周與星期概念的社會，他們追求的是什麼?把一件工藝做到極致需要時間的淬鍊，方能成就經典，讓品味替自己發聲，就來「大美不言」 國立故宮博物院、巴黎裝飾藝術博物館及梵克雅寶典藏精粹特展。 maomaotutu9 貓貓兔兔instagram: https://www.instagram.com/maomaotutu9/ 參考資料 <a href="https://www.secretchina.com/news/b5/2018/09/20/871426.html">https://www.secretchina.com/news/b5/2018/09/20/871426.html</a> 看中國 菊花在日本文化中為何如此重要？ 2. <a href="https://visitmie-japan.travel/tw/report/detail_69.html">https://visitmie-japan.travel/tw/report/detail_69.html</a> 三重旅遊情報讚 千餘年歷史的日本傳統工藝「伊勢型紙」， 讓人肅然起敬的職人精神與纖細之美。 3.原文網址: <a href="https://fashion.ettoday.net/news/1811962#ixzz8vmvvAxbN">亮・珠寶／鑲爪不見了！ 梵克雅寶隱密式鑲嵌炫3技法 | ET Fashion | ETtoday新聞雲</a> <a href="https://fashion.ettoday.net/news/1811962#ixzz8vmvvAxbN">https://fashion.ettoday.net/news/1811962#ixzz8vmvvAxbN</a> 4.<a href="https://cava.tw/fashion/accessories/248608">https://cava.tw/fashion/accessories/248608</a> 造咖 寶石鑲嵌工藝的8種技法一次看懂，最經典的「六爪鑲嵌」歷史超過100年！ 5.<a href="https://thefemin.com/2018/12/simone-pheulpin/">https://thefemin.com/2018/12/simone-pheulpin/</a> the femin 雕刻一方「記憶的形狀」：織物藝術家 Simone Pheulpin 細膩摺疊出筆觸般的動態 6.<a href="https://south.npm.gov.tw/ExhibitionsDetailC003110.aspx?Cond=ad0ed863-64c2-4bba-95f2-8b5158ec8edd&appname=Exhibition3112">https://south.npm.gov.tw/ExhibitionsDetailC003110.aspx?Cond=ad0ed863-64c2-4bba-95f2-8b5158ec8edd&appname=Exhibition3112</a> 故宮展覽回顧 -- Hosting provided by <a href="https://www.soundon.fm/">SoundOn</a>
November 16, 2024
相愛相殺的戲碼總是一齣又一齣，藝術圈也不例外，繪畫霸總地位受到空降太子爺攝影挑戰，到底哪個能戴上當今最popular的王冠呢?攝影歷史淵遠流長，他的出現引發許多哲學上的論辯，也模糊與繪畫的界線，且看藝術家如何用攝影與繪畫的碰撞帶來不一樣的視覺思潮。 參考資料: 1.住在巴特、桑塔格、本雅明的照片里 / 章光和文字攝影，桂林市 : 广西师范大学出版社, 2004[民93] 2.作为观念的影像 : 西方当代影像艺术探源 = Video as conception : the emerging of western video art / 李笑男著，长沙市 : 湖南美术出版社, 2015 3.明室 : 摄影纵橫谈 / 罗兰・巴特著 ; 赵克非译，北京市 : 文化艺朮出版社, 2003[民92] 4.【William H. Mumler在人們認為「相機會把靈魂吸走」的時代，他靠著拍攝亡靈發了筆大財」林晏 <a href="https://everylittled.com/article/168335">https://everylittled.com/article/168335</a> 5.【更大的訊息: 與大衛．霍克尼跨世紀的藝術對話】作者：<a href="https://www.eslite.com/search?author=WyLlpKfooZvvvI7pnI3lhYvlsLwvIOmmrOS4ge-8juiTi-emj-eJuSJd">大衛．霍克尼/ 馬丁．蓋福特</a>譯者：<a href="https://www.eslite.com/search?translator=WyLpn5Pmm7jlpo0v546L54eV6aObIl0">韓書妍/王燕飛</a>出版社：<a href="https://www.eslite.com/search?manufacturer=WyLnqY3mnKjmlofljJYiXQ">積木文化</a> 6.<a href="https://today.line.me/tw/v2/article/8wE2Pk">https://today.line.me/tw/v2/article/8wE2Pk</a> 2018年藝術界熱議人物－「陽光老男孩的美麗世界」─ 大衛．霍克尼(David Hockney) <a href="https://today.line.me/tw/v3/publisher/100494">非池中藝術網</a> -- Hosting provided by <a href="https://www.soundon.fm/">SoundOn</a>
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