by 那個音樂史
<p>你知道,華格納不但是花花公子,還有種族歧視嗎? <br />你知道,白遼士其實是個私生飯? <br />你知道,18、19世紀也有八點檔嗎? <br /> <br />課本上不會有,讓我們來聊聊「那個」音樂史。 <br /> <br /> <br />更多內容: https://the-music-history.com/ <br /> <br/>Powered by <a href="https://firstory.me/zh">Firstory Hosting</a></p>
Language
🇨🇳
Publishing Since
8/8/2020
Email Addresses
1 available
Phone Numbers
0 available
October 12, 2022
<p>這個問題大家肯定不陌生 <br />當我們想問為什麼古典音樂如此長時,應該先想一下我們到底想問什麼? 也許是在音樂廳裡坐上幾個小時的體驗。 <br />確實古典樂許多曲子比流行音樂長,但是,去聽一場流行音樂的演唱會,坐(甚至站)兩三個小時也是少不了的呀? <br /> <br />小額贊助支持本節目: <a href="https://open.firstory.me/user/ckdkjxmjs4mnk0862w9snzc5p" target="_blank">https://open.firstory.me/user/ckdkjxmjs4mnk0862w9snzc5p</a> <br />留言告訴我你對這一集的想法: <a href="https://open.firstory.me/user/ckdkjxmjs4mnk0862w9snzc5p/comments" target="_blank">https://open.firstory.me/user/ckdkjxmjs4mnk0862w9snzc5p/comments</a> <br /> <br /> <br />更多內容: <br /> <br />website | <a href="https://the-music-history.com/" target="_blank">那個音樂史 the-music-history.com</a> <br />facebook/instagram | 那個音樂史</p> <br /> <br/>Powered by <a href="https://firstory.me">Firstory Hosting</a>
September 27, 2022
<p>【關於速度】古典音樂越拉越快? <br />相信大家對大黃蜂這首曲子一定不陌生 <br />其中打開大黃蜂知名度的重要原因,就是挑戰極限速度 <br />我們生活在一個快節奏的時代,甚至不知不覺中,古老的巴哈音樂也逐年加快了? <br /> <br /> <br />[BGM(background)] Bach’s Double Violin Concerto (BWV 1043) <br /> <br />小額贊助支持本節目: <a href="https://open.firstory.me/user/ckdkjxmjs4mnk0862w9snzc5p" target="_blank">https://open.firstory.me/user/ckdkjxmjs4mnk0862w9snzc5p</a> <br />留言告訴我你對這一集的想法: <a href="https://open.firstory.me/user/ckdkjxmjs4mnk0862w9snzc5p/comments">https://open.firstory.me/user/ckdkjxmjs4mnk0862w9snzc5p/comments</a> <br /> <br /> <br />更多內容: <br /> <br />website | <a href="https://the-music-history.com/" target="_blank">那個音樂史 the-music-history.com</a> <br />facebook/instagram | 那個音樂史</p> <br /> <br/>Powered by <a href="https://firstory.me">Firstory Hosting</a>
September 8, 2022
<p>你曾經看過超過一千名音樂家同時在台上演出嗎? 古典音樂的演化軌跡大方向都是朝著「加法」發展,就像是越來越複雜的合聲和樂曲結構,而樂團也不例外,從一開始的宮廷樂團,一直到19世紀終於發展出「超級樂團」。 <br /> <br />[opening] Gustav Mahler, Symphony No. 8 in E-flat major, "Symphony of a Thousand" <br />[clip] Hector Berlioz, The Grande Messe des morts (Requiem), Op. 5 <br />[clip] Mahler, Symphony No. 8 in E-flat major, "Symphony of a Thousand" <br />[clip] Havergal Brian, The Symphony No. 1 in D minor, "The Gothic" <br />[bgm] Erik Satie, Gymnopedies No.1, 2, 3 <br /> <br /> <br /> <br />Support this show: <a href="https://open.firstory.me/user/ckdkjxmjs4mnk0862w9snzc5p" target="_blank">https://open.firstory.me/user/ckdkjxmjs4mnk0862w9snzc5p</a> <br />Leave a comment and share your thoughts: <a href="https://open.firstory.me/user/ckdkjxmjs4mnk0862w9snzc5p/comments">https://open.firstory.me/user/ckdkjxmjs4mnk0862w9snzc5p/comments</a> <br /> <br /> <br />更多內容: <br /> <br />website | <a href="https://the-music-history.com/" target="_blank">那個音樂史 the-music-history.com</a> <br />facebook/instagram | 那個音樂史</p> <br /> <br/>Powered by <a href="https://firstory.me">Firstory Hosting</a>
Pod Engine is not affiliated with, endorsed by, or officially connected with any of the podcasts displayed on this platform. We operate independently as a podcast discovery and analytics service.
All podcast artwork, thumbnails, and content displayed on this page are the property of their respective owners and are protected by applicable copyright laws. This includes, but is not limited to, podcast cover art, episode artwork, show descriptions, episode titles, transcripts, audio snippets, and any other content originating from the podcast creators or their licensors.
We display this content under fair use principles and/or implied license for the purpose of podcast discovery, information, and commentary. We make no claim of ownership over any podcast content, artwork, or related materials shown on this platform. All trademarks, service marks, and trade names are the property of their respective owners.
While we strive to ensure all content usage is properly authorized, if you are a rights holder and believe your content is being used inappropriately or without proper authorization, please contact us immediately at [email protected] for prompt review and appropriate action, which may include content removal or proper attribution.
By accessing and using this platform, you acknowledge and agree to respect all applicable copyright laws and intellectual property rights of content owners. Any unauthorized reproduction, distribution, or commercial use of the content displayed on this platform is strictly prohibited.