by Marshall Poe
Interviews with Biographers about their New Books Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography
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April 20, 2025
We Have Ceased to See the Purpose: Essential Speeches of Aleksandr Solzhenitsyn (U Notre Dame Press, 2025) brings together ten of Nobel Prize–winner Aleksandr Solzhenitsyn’s most memorable and consequential speeches, delivered in the West and in Russia between 1972 and 1997. Following his exile from the USSR in 1974, Aleksandr Solzhenitsyn lived and traveled in the West for twenty years before the fall of Communism allowed him to return home to Russia. The majority of the speeches collected in this volume straddle this period of exile, contemplating the materialism prevalent worldwide—forcibly imposed in the socialist East, freely chosen in the capitalist West—and searching for humanity’s possible paths forward. In beautiful yet haunting and prophetic prose, Solzhenitsyn explores the mysterious purpose of art, the two-edged nature of limitless freedom, the decline of faith in favor of legalistic secularism, and—perhaps most centrally—the power of literature, art, and culture to elevate the human spirit. These annotated speeches, including his timeless “Nobel Lecture” and “Harvard Address,” have been rendered in English by skilled translators, including Solzhenitsyn’s sons. The volume includes an introduction to the speeches, brief background information about each speech, and a timeline of the key dates in Solzhenitsyn’s life. Ignat Solzhenitsyn is a pianist and conductor based in New York City. The middle son of Aleksandr Solzhenitsyn, he is translator and editor of several of his father’s works in English. Daniel Moran’s writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the long-running podcast Fifteen-Minute Film Fanatics. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography
April 18, 2025
Kayla E.’s Precious Rubbish (Fantagraphics, 2025), is an experimental graphic memoir drawn in a style that references the aesthetics of mid-century children’s comics and tells the story of a childhood shaped by maternal emotional dysregulation, rural poverty, and incest. The author’s childhood is portrayed as a collection of short-form comics and gag panels punctuated by interactive elements like paper dolls, satirical advertisements, games, and puzzles. While the work is concerned with violence and a particularly Texan brand of Pentecostal fanaticism, it is presented in a playful visual language with a deadpan humor that elevates the material beyond mere graphic memoir. Precious Rubbish is a landmark work of comics storytelling and graphic medicine. The debut graphic novel from artist Kayla E., Precious Rubbish asks the reader to do the extratextual work of filling out narrative gaps, which mirrors the challenge of trauma recollection. The reader is invited to co-labor in the meaning-making process, an exercise that facilitates an intimacy (between the author, the subject, and the reader) that is at once horrifying and hilarious. Please note that this interview discusses issues of trauma including sexual violence, incest, and addiction. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography
April 17, 2025
Frontier: A Memoir and a Ghost Story (Barrelhouse Inc., 2025) is a genre-bending expedition into childbirth. Seamlessly blending memoir, fiction, and research into the fraught history of birth—from midwives to Victorian-era sedation through the Natural Childbirth Movement and modern L&D suites—Frontier lays bare visceral truths that are too often glossed over, and offers an incisive look at the momentous and terrifying transformations of motherhood. As she prepared to give birth to her first child, Erica Stern envisioned the idyllic experience promised by prenatal classes and diaper commercials. But when unexpected complications arose during labor, she found herself at the threshold of life and death, a liminal space that connected her to generations of mothers before her. From the chaos of the delivery room, Frontier opens into a parallel narrative: a Wild West ghost story. There, a mother who didn’t survive the ordeal of childbirth roams her old homestead, tethered to the family she left behind. In this otherworldly hybrid memoir, Stern careens between this haunted past and the present horror of the hospital as she waits for her own son to wake up in the NICU. Erica Stern’s work has been published in The Iowa Review, Mississippi Review, Denver Quarterly, and elsewhere. She has received support for her writing from the Vermont Studio Center and the Virginia Center for Creative Arts. A New Orleans native, she lives with her family in Evanston, Illinois. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography
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