by 拾花盆小组
如同寻找散落的花盆，我们捡拾隐藏的记忆，发掘有趣的生命力，培育新颖的故事线索。
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🇨🇳
Publishing Since
7/29/2024
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March 21, 2025
<p>最近季节变化，加上花粉满天飞，我从前年冬天就开始发作的咳嗽型哮喘又开始作祟。哮喘药吃掉一瓶半，仍然不见全好。说实话，之前听人说什么火气大、湿气重这些，我都不置可否，因为逻辑上对我来讲说不通。直到和朋友Nan聊她的“万物养生”概念，她用“五味”品尝人生百态的方法我觉得可以接受。</p><p>以及，为什么这些古早的文字对现代人来讲只是一个虚浮的概念，其实是自我觉察变少了，对性味的体感、对万物的觉知开始变得麻木了。所以，把觉察和感知带到生活里是非常好用且有效的办法。</p><p>主持人｜胡斐 嘉宾｜Nan 后期｜遇见</p><p>01:12【符合你当下所需要的那个状态，对于你而言就是养生的】</p><p>07:06【用“五味”去体会当下】</p><p>11:10【经过身心训练以后，字面上的中医理论变成了真实的感受】</p><p>18:25【“湿气”到底是什么？】</p><p>24:15【把药方转换成音乐的体验】</p><p>27:41【邓丽君的歌是一剂适用性很广的“药”】</p><p>33:57【睡不好的话，试试看把气往下降】</p><p>如果喜欢我们的节目，欢迎点赞评论转发</p><p>日常动态分享:视频号/小红书/抖音/bilibili 搜索“拾花盆小组”</p><p>商务联系：[email protected]</p>
January 25, 2025
<p>前一阵突然沉迷《海上花》，把很多年以前看过的，侯孝贤导演的电影又看了一遍，读完张爱玲版本的《海上花开》和《海上花落》，又读了说书解析。想着等有时间了，再把韩子云的吴语版《海上花列传》再读一遍。</p><p>上海话是我的母语，和小说里的吴语（苏州话）还有点区别，电影里刘嘉玲、李嘉欣等等主演说的是偏老派一点的上海话，很亲切。我惊讶的是，一百来年过去了，很多人情世故、社会关系、生活方式、欲望情感的基底其实变化不大，还是可以在细节里找到很多对照。当然，女性地位是发生了很大的转变的。</p><p>相比现在非常直给的快剪辑故事，沉浸式阅读的体验是很幸福的，对我来说，电影和小说本身并没有让我觉得沉闷，反而因为有很多看得进去的细节，就像在一个场景和体验都非常丰富的游戏里自由探索，随时可以去挖掘一个细节，发展一个分支。</p><p>很高兴又请到资深文化和娱乐记者柏小莲来一起讨论，本期时间略长。如果在收听的时候也能找到属于自己的特别体验，欢迎留言分享。</p><p>主持人｜胡斐 嘉宾｜柏小莲 后期｜遇见</p><p>01:32【侯孝贤的《海上花》是我们人生的文艺片印记】</p><p>10:14【100 年过去了，酒桌上的事儿好像没有变过】</p><p>15:59【没有必要把文学作品和社会学研究作品做比较】</p><p>24:54【很少看到一部文学作品从头到尾都在谈钱】</p><p>35:05【《海上花列传》里的女性】</p><p>43:11【电影虽然很节制，但谈起感情可不亚于《再见爱人》】</p><p>01:00:55【从社会到文学，人物都自有其复杂性】</p><p>01:08:29【好的作品能让人体会到丰富的生命层次】</p><p>如果喜欢我们的节目，欢迎点赞评论转发</p><p>日常动态分享:视频号/小红书/抖音/bilibili 搜索“拾花盆小组”</p><p>商务联系：[email protected]</p>
December 17, 2024
Host Hu Hai interviews Italian scholars Laura Baldis and Andrea Donadon about the value and role of art therapy in healthcare, art, and social welfare, highlighting its Italian experiences and perspectives.
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