by Nate Smith
Asking Great Drummers The Questions You've Always Wished Somebody Would Ask Them
Language
🇺🇲
Publishing Since
9/9/2014
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1 available
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0 available
September 3, 2024
<p class="">It’s fitting that two weeks after hearing from Chris Turner, a man with one of the most whimsical, intuitive approaches to drums I’ve ever encountered, we encounter one Stan Bicknell, who’s built a brand around a mindful, deliberate, disciplined approach to the drums, and to architecting a life around it.</p> <p class="">Stan wowed audiences with his appearance on Drumeo 5 years ago. Around this time, his touring career was taking off. But after the birth of his child, Stan made the decision to put his life front-and-center, move back to his native New Zealand, and design a role for drums, drum practice, drum teaching, and drum performance, that served his life goals.</p> <p class="">Stan’s story resonated with me, because I made a similar decision around a decade ago, when I decided to start the 8020 channel. (I should say, I wasn’t turning down touring opportunities.) Speaking to Stan was a great “meeting of the minds”, because we’ve read many of the same books, and thought along the same lines.</p> <p class="">It’s just that he’s doing practically all of it <em>better than I am</em>.</p> <p class="">Which inspires an adage - “find the person who’s doing what you want to do better than you are, and draw inspiration from them.”</p> <p class="">Stan is like the Qui-Gon Jinn of the drums, with his disciplined practice routines, mindfulness, goal-setting, and integration between drums and life. And it shows in his playing. Stan is almost 100% self-taught, which is to say he emulated his drum heroes like Weckl and Vinnie largely <em>without</em> teachers as intermediaries, and while he wouldn’t recommend that for <em>everybody</em>, all that extra work left him with some revised first-principles.</p> <p class="">He also coaches drummers in not-only the instrument, but in life-satisfaction, and, as the episode title says, building a life around the drums.</p> <p class="">I hope you’ll find this discussion as fascinating as I did.</p> <p>Chapters</p> <p>0:00 - setting a goal without assuming you're entitled to the results<br /> 6:44 - finding humility by removing gatekeepers<br /> 12:05 - the paradox of putting in the time without feeling locked in<br /> 17:15 - small world - Richie Martinez shout-outs<br /> 20:54 - why routines are necessary for improvement<br /> 24:44 - does it ever get any easier?<br /> 29:58 - inside Stan's system for improvisation<br /> 38:10 - spending a lot of time practicing something abstract<br /> 43:49 - identity diversity and being a "whole drummer"</p>
August 19, 2024
<p class="">Chris Turner is kind of the undisputed modern “double kick king”. Which, if that was all he was, might be of less interest to my audience. Luckily he’s also one of the most musical and creative drummers, and one of the most interesting and inspiring humans I’ve met recently.</p> <p class="">One of the underrated benefits of getting to speak to great drummers is seeing the variety of different ways they’ve achieved, well, greatness. And you learn there are really very different archetypes, from the “acerbic everyman”, to the “systems and discipline person”, to the “rocket-fueled motivation machine”. (The last might describe Isac Jamba and Richie Martinez, among others.)</p> <p class="">Chris Turner has the seemingly-bottomless-pit-of-motivation that some of the other guests have, but it’s combined with an easy-going, “come-what-may” kind of whimsy. He literally says he structures his life to avoid doing anything he doesn’t want to do in a given day. If you’re wondering about the obvious paradox between that approach and the discipline and longevity required to reach his level on drums, I was wondering the same thing, and his answer mildly floored me.</p> <p class="">Chris says for his entire life, he’s strung together a series of independent days of falling deeply in love with the drums. When I asked him if he’s seen <em>50 First Dates</em>, the Adam Sandler/Drew Barrymore rom com, he agreed “it’s like that.”</p> <p class="">I was rather pleased that in this hour-long conversation with the world’s foremost double-kick player, we only broached double kick twice: once as an aside as Chris described his relationship with teaching, and a second time when I say I’m “not going to ask him about that.”</p> <p class="">Instead we talk about motivation, psychology, finding a relationship with what you love, and his newest object-of-focus, YouTube.</p> <p class="">Chris has an energy I think you’ll find infectious, and I know you’ll enjoy this convo regardless of the genre you’re interested in.</p> <p class=""> </p> <p>Chapters</p> <p>0:16 - Chris' unique approach to motivation<br /> 6:42 - the "50 First Dates" approach to drums/Chris following his talent<br /> 10:42 - finding motivation from adversity<br /> 15:30 - Alex Honnold<br /> 20:09 - ok, but how does he motivate students?<br /> 25:14 - the definition of a "career"?<br /> 28:31 - what's the creative direction that's firing up Chris the most<br /> 33:33 - how did he come out of the gate with such high quality on YouTube<br /> 36:55 - Chris' favorite YouTube inspirations</p>
August 12, 2024
<p class="">Throughout the years, I’ve had a running mental catalogue on the go-to videos for certain subjects. Jazz swing, building a solo on the drums, tuning, timing, etc. And when I look back, in a surprising number of categories, the “best resource” comes from Rob “Beatdown” Brown.</p> <p class="">Rob was among the “OGs” on Drumeo, with a great video about Stewart Copeland, and consistently drops authentic takes on his channel. That’s why I’ve been meaning to have a conversation with Rob for some time.</p> <p class="">I finally caught up with him in early August, and opened the conversation with a question that’s been on my mind a bunch: What does he make of this situation where everybody practices chops, but nobody’s “allowed” to use them? And has that created a situation in which they’re not taught very well. Rob didn’t hold back on that subject, and was equally candid in speaking about the importance of real-world playing experience for the “internet generation”.</p> <p class="">We veered a bit into the nature/nurture debate as well, speaking about whether “feel” can be taught - my hobby horse is the crowd that seems to think that, even for people with the capacity for good feel, there’s no recourse except to “feel it”. Rob was a bit more open minded to the idea that some people have a better innate capacity.</p> <p class="">Finally, we spoke about YouTube as a mature medium, and the future of careers in drumming.</p> <p class="">If you want some unfiltered wisdom from one of the OGs, I know you’ll enjoy this interview!</p> <p class=""> </p> <p class="">Chapters</p> <p class="">0:00 - how does Rob feel about groove vs chops<br /> 10:61 - who are "hot" drummers who play clean but not "showoffy"<br /> 16:41 - did it take Rob a lot of effort to learn to "flow"?<br /> 23:31 - how important is real-world experience for drummers?<br /> 27:00 - does Rob have take-aways from his gig experience?<br /> 31:29 - what has Rob learned about his audience that's surprised him?<br /> 36:15 - is "just feel it" inadequate advice?<br /> 41:07 - is feel teachable, or are some people just born with it?<br /> 49:10 - what career advice would Rob give to a young graduate?</p>
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