by Weirding Way Media
The Projection Booth has been recognized as a premier film podcast by The Washington Post, The A.V. Club, IndieWire, Entertainment Weekly, and Filmmaker Magazine. With over 700 episodes to date and an ever-growing fan base, The Projection Booth features discussions of films from a wide variety of genres with in-depth critical analysis while regularly attracting special guest talent eager to discuss their past gems.<br /><br />Visit <a href="http://www.projectionboothpodcast.com" target="_blank" rel="noreferrer noopener">http://www.projectionboothpodcast.com</a><br /><br />Become a supporter of this podcast: <a href="https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support?utm_source=rss&utm_medium=rss&utm_campaign=rss">https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support</a>.
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1/10/2014
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April 16, 2025
Co-hosts Maurice Bursztynski and Jonathan Melville join Mike to take on a Patreon request from listener John Atom—Nevil Shute’s On the Beach. They dive into both the 1959 Stanley Kramer film and the 2000 TV mini-series directed by Russell Mulcahy. Set in the aftermath of a nuclear holocaust, the story centers on a U.S. submarine that finds refuge in Melbourne, Australia, where residents face the grim reality that the fallout is heading their way.<br /><br />The episode explores the emotional depth and existential dread of both adaptations, from the restrained melancholy of Gregory Peck and Ava Gardner to the more modern approach with Armand Assante and Rachel Ward. With perspectives shaped by different eras, the hosts unpack how each version captures the quiet devastation of waiting for the end.<br /><br />Become a supporter of this podcast: <a href="https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support?utm_source=rss&utm_medium=rss&utm_campaign=rss">https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support</a>.
April 9, 2025
Film historian Samm Deighan and cult cinema expert Andrew Leavold join Mike to shine a light on Jean-Pierre Melville’s Two Men in Manhattan (1959). Often overshadowed by his better-known crime films, this moody noir follows a journalist and a photographer as they comb the streets of New York in search of a missing French diplomat. The trio digs into Melville’s fascination with American style, the film’s ethically murky characters, and how it fits within the director’s larger body of work. They also explore the tension between documentary realism and stylized noir, and why Two Men in Manhattan deserves a second look. <br /><br />Author Ginette Vincendeau (Jean-Pierre Melville: An American in Paris), discusses this unique entry in Melville's filmography. <br /><br /><br />Become a supporter of this podcast: <a href="https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support?utm_source=rss&utm_medium=rss&utm_campaign=rss">https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support</a>.
April 7, 2025
Mike speaks with director Paige Bethmann and editor Stephanie Khoury about their powerful 2025 documentary Remaining Native. Bethmann and Khoury discuss the challenges of telling a deeply personal story within a broader political context, the importance of Indigenous voices in environmental activism, and the responsibility of documentary filmmakers in preserving cultural truth.<br /><br />Become a supporter of this podcast: <a href="https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support?utm_source=rss&utm_medium=rss&utm_campaign=rss">https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support</a>.
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