一个不怎么剪辑的读书闲聊节目,大概每两三周更新,三大主题是历史、教育、成功学。
Language
🇨🇳
Publishing Since
11/4/2022
Email Addresses
0 available
Phone Numbers
0 available
November 10, 2024
<p>这次介绍的书是一本关于英语语用的<a href="https://www.amazon.com/dp/0593444094/"><em>Says Who?: A Kinder, Funner Usage Guide for Everyone Who Cares About Words</em></a> ,出版于2024年3月。作者Anne Curzan,是美国密歇根大学的英语语言文学教授,并担任文学、科学与艺术学院的院长。</p> <p>本书的主要观点是语言的使用规范不是完全客观的存在,而是人为规定的——由谁来规定是一种权力。语言规范可以不是一元的,而对于那些不那么“规范”的语言使用也可以持有更加开放的态度。</p> <p><strong>主播</strong>:斯图亚特、布朗主任<br /> <strong>剪辑</strong>:布朗主任<br /> <strong><a href="https://sspai.com/post/57960">RSS</a></strong>:<a href="https://books.typlog.io/feed/audio.xml">https://books.typlog.io/feed/audio.xml</a></p> <p><strong>【时间线】</strong><br /> 04:10 书名中的funner是怎么回事?<br /> 07:35 本书的结构<br /> 13:30 语言该怎么用是一种权力<br /> 21:30 英语中的无性别代词<br /> 30:43 后面的章节有哪些有意思的地方?<br /> 39:44 这本书适合什么样的读者?</p> <p><strong>【相关资料】</strong><br /> 02:00 语用学的英文是<a href="https://en.wikipedia.org/wiki/Pragmatics">pragmatics</a>,研究语境对语言含义产生的影响与做出的贡献,和这本书里提到的usage有所区别。</p> <p><a href="#t=20:39">20:39</a> <a href="http://www.moe.gov.cn/jyb_hygq/hygq_zczx/moe_1346/moe_1364/tnull_31495.html">现代汉语教学中“的”“得”“地”是不是已经通用了</a></p> <p><a href="#t=38:10">38:10</a> <a href="https://mitadmissions.org/blogs/entry/dont-change/"><em>Don't Change</em></a> by Ben O. '19</p> <p><a href="#t=41:06">41:06</a> <a href="https://www.amazon.com/dp/0143127799/"><em>The Sense of Style</em></a> by Steven Pinker</p> <p><a href="#t=43:35">43:35</a> <a href="https://book.douban.com/subject/27591836/">《日本语》</a>,金田一春彦著,皮细庚译</p> <p>如果你喜欢我们的节目,欢迎在小宇宙、Spotify或其他泛用型播客平台订阅、留言、分享,谢谢!</p>
October 18, 2024
<p>今天介绍的这本书是<a href="https://www.amazon.com/dp/1605541389/"><em>Theories of Childhood: An Introduction to Dewey, Montessori, Erikson, Piaget, Vygotsky</em></a>,第2版出版于2013年。作者是Carol Garhart Mooney,是一位有40多年经验的学前教育工作者。</p> <p>本书只有100页出头,可以看作是一本科普书,特点是其中有作者亲身观察或者经历的案例,让理论和术语更容易理解。</p> <p><strong>主播</strong>:斯图亚特、布朗主任<br /> <strong>剪辑</strong>:布朗主任<br /> <strong><a href="https://sspai.com/post/57960">RSS</a></strong>:<a href="https://books.typlog.io/feed/audio.xml">https://books.typlog.io/feed/audio.xml</a></p> <p><strong>【相关资料】</strong><br /> 05:21 <a href="https://www.nitorihd.co.jp/otaru-art-base/art-nouveau-glass-museum/">小樽 西洋美術館</a><br /> 09:52 <a href="https://en.wikipedia.org/wiki/Instructional_scaffolding">Scaffolding</a><br /> 12:06 纪录片<a href="https://www.youtube.com/watch?v=uGddSi4T1kY"><em>Preschool in Three Cultures</em></a><br /> 19:25 <a href="https://asteriskmag.com/issues/07/culture-studies"><em>Culture Studies</em></a>, by Henrik Karlsson<br /> 31:32 <a href="https://www.thepsmiths.com/p/review-math-from-three-to-seven-by"><em>Review: Math from Three to Seven, by Alexander Zvonkin</em></a><br /> 33:03 <a href="https://www.amazon.com/dp/1594860688/"><em>Einstein Never Used Flash Cards</em></a></p> <p><strong>【更正】</strong><br /> 16:10 哆啦A梦系列漫画的出版社是小学館,以其为主题的教育服务公司(株式会社小学馆集英社制作)由小学館在1967年设立,目前后者也是主要的股东。</p> <p>如果你喜欢我们的节目,欢迎订阅、点赞、收藏、分享,谢谢!</p>
September 26, 2024
<p>这次介绍的书是之前提到过的一本<a href="https://www.amazon.com/dp/0691210489/" rel="nofollow"><em>Study Gods: How the Chinese New Elite Prepare for Global Competition</em></a> ,中译名《学神:走向全球竞争的中国年青精英》。作者姜以琳,博士毕业于美国宾大社会科学系,现在在上海纽约大学任教。本书出自她的博士毕业论文,基于10多年前在北京两所公立国际部的实地调查以及其后的跟踪研究,由普林斯顿大学出版社在2022年出版。</p> <p><strong>主播</strong>:斯图亚特、布朗主任<br> <strong>嘉宾</strong>:cedar<br> <strong>剪辑</strong>:布朗主任<br> <strong><a href="https://sspai.com/post/57960" rel="nofollow">RSS</a></strong>:<a href="https://feeds.fireside.fm/books/rss" rel="nofollow">https://feeds.fireside.fm/books/rss</a></p> <p><strong>【时间线】</strong><br> 03:00 书中定义的学神是什么?<br> 06:50 学神和学生的关系<br> 13:50 学神和老师的关系<br> 22:16 毕业之后的去向和选择<br> 31:35 学神和家长的关系<br> 46:25 为什么这会是一本获奖作品?<br> 51:57 这本书适合什么样的读者?</p> <p>如果你喜欢我们的节目,欢迎在小宇宙、Spotify或其他泛用型播客平台订阅、留言、分享,谢谢!</p>
Pod Engine is not affiliated with, endorsed by, or officially connected with any of the podcasts displayed on this platform. We operate independently as a podcast discovery and analytics service.
All podcast artwork, thumbnails, and content displayed on this page are the property of their respective owners and are protected by applicable copyright laws. This includes, but is not limited to, podcast cover art, episode artwork, show descriptions, episode titles, transcripts, audio snippets, and any other content originating from the podcast creators or their licensors.
We display this content under fair use principles and/or implied license for the purpose of podcast discovery, information, and commentary. We make no claim of ownership over any podcast content, artwork, or related materials shown on this platform. All trademarks, service marks, and trade names are the property of their respective owners.
While we strive to ensure all content usage is properly authorized, if you are a rights holder and believe your content is being used inappropriately or without proper authorization, please contact us immediately at [email protected] for prompt review and appropriate action, which may include content removal or proper attribution.
By accessing and using this platform, you acknowledge and agree to respect all applicable copyright laws and intellectual property rights of content owners. Any unauthorized reproduction, distribution, or commercial use of the content displayed on this platform is strictly prohibited.