by Twenty Summers
Twenty Summers is a 501(c)(3) nonprofit arts center in Provincetown, Massachusetts, founded in 2009 to promote the private creation of art, to foster public engagement with art and artists, and to honor the legacy of art in Provincetown. Its annual series of concerts and conversations takes place in the historic Hawthorne barn.
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🇺🇲
Publishing Since
9/26/2016
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April 3, 2025
Kioea (pronounced kēōˈāə) is a music group featuring Carand Burnet (she/her) as lead guitarist and songwriter. Their music blends sounds of surf rock, psychedelia, and global influences. J. Swartwood (Aquarium Drunkard) described Burnet’s music as “simultaneously modern and vintage.” Kioea has played at 3S Artspace, The Music Hall, The Thing in the Spring Festival, Center for Maine Contemporary Art, SPACE Gallery, WMUR Summer Concert Series, and elsewhere. Burnet received a Maine ARP Grant through SPACE Gallery and the National Endowment for the Arts, which supported the making of Kioea’s album Stand Tall.
April 3, 2025
There is no separating equality from ecology, which knows that no member of any natural system has more value than another. In a world of polycrises, what does it mean for activism to be a daily necessity? How can we more deeply integrate it into our lives, allowing our values to shape a more fulfilling and joyful existence? This discussion will bring together advocates who are reframing how we talk about social and environmental justice—and what it means to be an embodied activist.
April 3, 2025
‘Milk Tea Opera House’ is an initiative to create opportunities to influence more voices, to awaken them, and to guide them. It is vital to be able to experience more voices and together we ask this question: Where does voice come from, and how does it represent you? JU-EH creates a live Milk Tea Opera House Session, along with Twenty Summers, to co-create new kinds of interactive spaces from where the voice is born, redefining the term ‘opera house’ for the next 100 years. The main practice of an MTOH Session focuses on the human voice, and exercise how we use the voice internally in different dimensions. Not the finished flawless performances of an opera singer, but the internal handling of the voice in a much wider spectrum. With this knowledge that JU-EH has lived, studied, and embodied for decades, it is time to collaborate to reveal the depth of our sonic environments, and the image of voice in various daily activities to a wider creative community.
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