by 无限电波
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March 4, 2025
<span><br></span><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>今年春节《哪吒之魔童闹海》的爆火引起了广泛讨论，</span>本期节目我们从印度神话的跨文化迁徙聊起，剖开上美版《哪吒闹海》的阶级隐喻与魔童哪吒的消费主义滤镜，直面神话改编中的厌女陷阱：石矶娘娘为何总被妖魔化？殷夫人之死为何比李靖牺牲更刺痛观众？当“完美家庭”成为新神话，我们是否正在用糖衣包裹父权制的旧伤？</p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica, Arial, sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>[01:04] </span>哪吒形象的演化轨迹：印度佛教神话的本土化过程；《封神演义》中体现的儒家忠孝观念</p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>[06:03] </span>哪吒与父亲的关系、作为反抗者符号在文化作品中的体现：从上美版《哪吒闹海》到动画片《哪吒传奇》</p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>[10:47] </span>剔骨割肉情节蕴含的集体性创伤，孝道文化的压迫</p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>[15:13] </span>魔童哪吒对哪吒原生家庭的处理：“完美”的家庭作为对抗社会不公的动力和后盾</p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>[18:13] </span>哪吒可以是女孩吗？莲花塑身的酷儿内涵；反抗叙事与女性困境的共鸣</p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>[23:06] </span>魔童哪吒的双生子设定，对龙族三太子形象的改编是否成立</p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>[27:42] </span>魔童版哪吒反抗的对象，结构性不公在电影中的呈现</p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>[33:44] </span>上美版《哪吒闹海》与魔童哪吒对陈塘关百姓的不同表现，从阶级叙事到个人英雄主义叙事</p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>[42:58] </span>《哪吒之魔童闹海》在性别设置上的偏见，对鹿童和鹤童的区别对待</p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>[44:56] </span>电影对敖闰和石矶娘娘的刻画，是先锋的女性角色还是保守的刻板印象？</p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>[54:07] </span>引起争议的哪吒母亲死亡情节：殷夫人作为“花木兰”式角色的困境；英雄之旅叙事中父亲死亡与母亲死亡的不同意义</p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>[62:40] </span>我们如何看待传统文化改编的新故事，民族主义营销掩盖下泛滥的厌女情绪</p><span><br></span><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica, Arial, sans-serif;hyphens:auto;text-align:justify;" data-flag="normal">片尾曲：青少年哪吒 – 八仙 8Immortals</p>
October 27, 2024
<p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal">本期节目我们邀请到了在纽约工作生活的油画家<span>Jess</span>一起聊聊她在艺术创作过程中的思考与感受。<span>Jess</span>的职业生涯始于用彩色铅笔、记号笔和水彩创作肖像，后来她在艺术学院的学习过程中逐渐转向抽象画。从中国搬到美国，<span>Jess</span>的作品表达了她人生的不同阶段。受到康定斯基和唐吉的启发，她认为抽象风格最能表达她的个人经历，让她自由地创作出既平静又混乱的作品。</p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>Jess</span>的个人作品主页：<span>jessxiaoyihan.com</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>Jess</span>目前正在纽约<span>Ross +Kramer</span>举办主题为<span>Mimesis</span>的个人展，展览地点为<span>515West 27th Street, New York, NY</span>（<span>Oct 10th - Nov 16th 2024</span>）。展览详情：<span>www.rkgallery.com/exhibitions/mimesis</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><img data-key="0" src="http://imagev2.xmcdn.com/storages/db1f-audiofreehighqps/03/4B/GAqhtYsK81lTAAMqxwMlaLxf.jpg!op_type=4&device_type=ios&upload_type=attachment&name=mobile_large" alt="" data-origin="http://imagev2.xmcdn.com/storages/db1f-audiofreehighqps/03/4B/GAqhtYsK81lTAAMqxwMlaLxf.jpg?op_type=0" data-large="http://imagev2.xmcdn.com/storages/db1f-audiofreehighqps/03/4B/GAqhtYsK81lTAAMqxwMlaLxf.jpg!op_type=4&device_type=ios&upload_type=attachment&name=mobile_large" data-large-width="750" data-large-height="1125" data-preview="http://imagev2.xmcdn.com/storages/db1f-audiofreehighqps/03/4B/GAqhtYsK81lTAAMqxwMlaLxf.jpg!op_type=4&device_type=ios&upload_type=attachment&name=mobile_small" data-preview-width="140" data-preview-height="210"><br>Jess Xiaoyi Han</p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica, Arial, sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>[01:26] Jess</span>从服装设计、陶艺、插画到油画的艺术探索之路</p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>[07:13] </span>选择油画以后对就业是否有焦虑？</p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>[09:05] </span>如何形成自己的艺术风格：从肖像油画到抽象风格，更专注于个人表达</p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>[14:45] Jess</span>的创作灵感来源，对科幻小说和电影的兴趣；色彩的运用与情感流动的关系</p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica, Arial, sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><img data-key="1" src="http://imagev2.xmcdn.com/storages/0997-audiofreehighqps/C7/DD/GAqhjg0K81nJAAh4KwMlaO69.jpg!op_type=4&device_type=ios&upload_type=attachment&name=mobile_large" alt="" data-origin="http://imagev2.xmcdn.com/storages/0997-audiofreehighqps/C7/DD/GAqhjg0K81nJAAh4KwMlaO69.jpg?op_type=0" data-large="http://imagev2.xmcdn.com/storages/0997-audiofreehighqps/C7/DD/GAqhjg0K81nJAAh4KwMlaO69.jpg!op_type=4&device_type=ios&upload_type=attachment&name=mobile_large" data-large-width="750" data-large-height="852.4900398406375" data-preview="http://imagev2.xmcdn.com/storages/0997-audiofreehighqps/C7/DD/GAqhjg0K81nJAAh4KwMlaO69.jpg!op_type=4&device_type=ios&upload_type=attachment&name=mobile_small" data-preview-width="140" data-preview-height="159.13147410358565">Falling into a manifold (2023) by Jess Xiaoyi Han</p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica, Arial, sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>[20:25] </span>抽象艺术通常都不太容易被解读，作为创作者会期待观众与作品产生什么样的联结？</p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>[25:48] Jess</span>最喜欢的女性抽象艺术家<span>Hilma af Klint</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>[29:56] Jess</span>对油画《皮格马利翁和伽拉忒亚》（让-莱昂·热罗姆）的感受</p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica, Arial, sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><img data-key="2" src="http://imagev2.xmcdn.com/storages/8e47-audiofreehighqps/18/DD/GKwRIUEK81pAAAGKGgMlaSEC.jpg!op_type=4&device_type=ios&upload_type=attachment&name=mobile_large" alt="" data-origin="http://imagev2.xmcdn.com/storages/8e47-audiofreehighqps/18/DD/GKwRIUEK81pAAAGKGgMlaSEC.jpg?op_type=0" data-large="http://imagev2.xmcdn.com/storages/8e47-audiofreehighqps/18/DD/GKwRIUEK81pAAAGKGgMlaSEC.jpg!op_type=4&device_type=ios&upload_type=attachment&name=mobile_large" data-large-width="750" data-large-height="950" data-preview="http://imagev2.xmcdn.com/storages/8e47-audiofreehighqps/18/DD/GKwRIUEK81pAAAGKGgMlaSEC.jpg!op_type=4&device_type=ios&upload_type=attachment&name=mobile_small" data-preview-width="140" data-preview-height="177.33333333333331">Pygmalion et Galatée (1890) by Jean-Léon Gérôme</p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica, Arial, sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>[34:29] </span>艺术家与缪斯：凝视与被凝视的关系</p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>[42:13] Jess</span>的小红书账号@英语口语Jess：开设自媒体账号的初衷、对媒介与时代变迁的感受</p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>[50:52] Jess</span>的个展<span>Mimesis</span>：展览主题的含义、对作品的布置与排序</p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>[55:33] AI</span>对艺术创作的影响，<span>uncanny</span>与恐怖谷效应</p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>[59:48] Jess</span>对于办展览、作品在世界各地被收藏的感受</p><span><br></span><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica, Arial, sans-serif;hyphens:auto;text-align:justify;" data-flag="normal">节目封面：<span>La Nuit （2024）- <span>Jess Xiaoyi Han</span></span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal">片尾曲：<span>End of beginning- Djo</span></p><span><br></span>
October 13, 2024
<p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;">从奥运会到流量明星，对粉丝文化的讨论似乎总在舆论中心。本期我们邀请到了Yumi跟我们一起聊聊关于粉丝研究的那些话题。</p><span><br></span><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;">[01:10] 奥运会期间被媒体批判的“饭圈文化”：粉丝作为替罪羊，被官方话语规训</p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;">[08:50] 其他国籍运动员的中国粉丝如何塑造自身认同，羽生结弦和张本智和在中国社交媒体上受到的不同评价</p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;">[14:22] 谷爱凌风评的转变：女权主义与民族主义的斡旋、中产精英神话的破灭；新自由主义治理模式的“自我赋权”话语掩盖了结构性矛盾</p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;">[22:14] 运动员的个人成就与政治立场、地区叙事的复杂关系；举国体制下资源的争斗，运动员被视作梯队建设的一部分</p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;">[31:52] 中文语境里“饭圈”的定义与污名化，如何理解“粉丝研究”</p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;">[35:41] 体育粉丝研究与性别，打破体育产业的男性主导叙事</p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;">[38:58] “疯狂女粉丝”的刻板印象，女性粉丝需要不断重申粉丝身份的合法性；女性不被认为是表达欲望的主体</p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;">[44:01] 粉丝文化与消费主义：粉圈的三六九等，重视物质付出；东亚流量经济让粉丝对资本抱有某种想象，认为粉丝的物质性劳动可以为偶像带来更多资源</p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;">[50:57] 粉丝对偶像的掌控欲，女艺人的“事业粉”对恋爱脑的抨击；CP粉和唯粉的不同想法</p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;">[57:22] 女粉丝对女明星的投射与共情；社交平台构筑的偶像与粉丝之间亲密关系的幻觉</p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;">[60:22] 明星与政治集团的博弈，泰勒斯威夫特公开支持哈里斯；娱乐圈与大众文化的左派传统</p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;">[67:08] 塌房明星/运动员的粉丝研究：粉丝与国家权力的博弈、民族主义话语下的厌女；粉丝无法跟政治权力沟通，转而将期望投射于资本</p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;">[79:12] 同人文化对塌房明星/运动员的赋魅，女性身份与粉丝身份之间的冲突与调解；男明星粉丝的妈粉心态</p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;">[83:17] 如何理解明星-粉丝关系中女性粉丝的欲望与想象：粉丝文化是一种对父权制来说相对安全的文化，只是一种想象的漫游，并没有挑战异性恋霸权与性别不平等</p><span><br></span><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;">片尾曲：王菲 – 开到荼蘼</p><span><br></span>
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