by 吳奕蓉, Rti
<p>每週訪問一至二位表演藝術從業人員，從即將推出的作品出發，探討創作緣起、手法、製作過程甘苦以及一路走來的劇場歷程。</p> <p><strong>░</strong> <strong>聽友來信<br /> ☀</strong><strong>FaceBook</strong><strong>▸</strong> <a href="https://www.facebook.com/TAIWAN.RTI" target="_blank">央廣華語節目粉絲團</a><br /> <strong>☀</strong><strong>聽眾信箱</strong><strong>▸</strong> <a href="mailto:[email protected]">[email protected]</a><br /> <strong>☀</strong><strong>郵寄地址</strong><strong>▸</strong> 台灣104237 台北市中山區北安路55號 中央廣播電臺 華語節目<br /> <strong>☀</strong><strong>微信</strong><strong>WeChat</strong><strong>▸</strong> rti0228856168（北安小姐姐）<br /> <strong>☀</strong><strong>收聽報告</strong><strong>▸</strong> <a href="https://www.rti.org.tw/index/content/id/28" target="_blank">https://www.rti.org.tw/index/content/id/28</a></p>
Language
🇨🇳
Publishing Since
2/6/2024
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April 15, 2025
捷音室內樂團與林座合作一齣音樂劇《詩琴畫意－探尋龍瑛宗與蕭如松的藝術人生》，5/17晚上七點半在新竹縣政府文化局演奏廳演出，目前僅此一場。捷音室內樂團團長蕭伊妙，及林座創辦人暨編導林志慶Derson來分享合作的機緣，以及這齣與一般音樂劇不同的音樂劇。 本集重點： ★想要跨界，但希望讓專業各司其職，音樂家不見得要演戲。 ★為什麼選龍瑛宗與蕭如松的故事？ ★希望是一個普羅大眾可以理解的實驗作品。 ★如果不勇敢一點、開創性一點，如何回報前輩的作品？
April 8, 2025
2025臺灣戲曲藝術節其中一個節目是真雲林閣掌中劇團的《一個皇帝在南洋》，5/2-5/4在臺灣戲曲中心小表演廳演出。這次邀請到導演暨編劇陳昶旭、爪哇偶戲演師蔡秉君來聊聊。昶旭形容這齣戲，像是「爪哇風味的佛跳牆」。 本集重點： ★台灣布袋戲&爪哇偶戲、戲曲文武場&甘美朗的跨國融合。 ★如果那位消失的皇帝朱允炆去了南洋，如果鄭和下西洋是去找那位消失的皇帝⋯⋯ ★關於族群、身分、自我認同的思考。 ★「全臺灣熟爪哇偶戲跟甘美朗的人幾乎都在我們劇組了。」 ★關於創作者內耗與消耗的討論。
April 1, 2025
盜火劇團即將推出第一部音樂劇《One Two Punch痛感一擊》，獨立搖滾x女子拳擊，5/24-6/1在水源劇場上演，這次邀請到核心人物，盜火劇團團長劉天涯及藝術總監何應權，與我們聊聊做音樂劇的起心動念，以及共同編劇的感想。 本集重點： ★沒做過音樂劇，來挑戰看看吧。 ★剛好都在學拳擊——有明確對手，而且真的會痛。 ★應權高中就夢想做Rap音樂劇，長大發現只是數來寶。 ★聽到自己的歌詞被唱出來，「好熱血沸騰啊！」
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