by Script Apart
A podcast about the first-draft secrets behind great movies and TV shows. Each episode, the screenwriter behind a beloved film shares with us their initial screenplay for that movie. We then talk through what changed, what didn’t and why on its journey to the big screen. Hosted by Al Horner and produced by Kamil Dymek.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>
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Publishing Since
6/15/2020
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April 11, 2025
<p>Today on Script Apart – one of cinema’s great monster movies. The terrifying creature at this movie’s core, though, didn’t have trailing tentacles, bloodshot eyes or reptilian skin. Instead of sharp teeth, it wore a sharp suit – Valentino pinstripe, perfectly pressed. This monster owned a gleaming Rolex, lived in an elegant condo and smiled politely through slap-up dinners with his fellow Wall Street sleazes. At night, he stalked the streets of New York, maiming sex workers and murdering the homeless, to a soundtrack of Huey Lewis and the News. And twenty-five years on, he’s arguably more fearsome than ever in his relevance to our own world. </p><br><p>Yes, joining Al Horner for a metaphorical reservation at Dorsia this week is author, actress and screenwriter Guinevere Turner, who co-wrote American Psycho. Guinevere teamed up with someone who would become a long-time collaborator, director Mary Harron, to adapt Bret Easton Ellis’ controversial novel about a deranged investment banker named Patrick Bateman (Christian Bale). </p><br><p>In the spoiler conversation you’re about to hear, Guinevere tells me about the parts of herself she perhaps threaded into her and Mary's version of the story, either consciously or subconsciously – as revealed in her 2023 memoir, When The World Didn’t End, she grew up in a cult that promised followers they’d be whisked off in a spaceship to Venus, and there’s cult-like framing of money and materialism in American Psycho that perhaps was no accident. We get into her and Mary’s treatment of Patrick as an “alien who’s crash-landed to Earth,” learning to fit in through the pop culture he engages in. You’ll also hear about Bret Easton Ellis’s version of the film that ended with Patrick Bateman singing a musical tribute to New York, and what Guinevere’s take is on the upcoming remake, reported to be directed by Luca Guadagnino. </p><br><p>For more from Guinevere, whose other work includes The L Word, Go Fish, The Notorious Bettie Page and 2018’s Charlie Says, pick up When The World Didn’t End, which is a great read – and head to our Patreon page! We’re running an exclusive series on our Patreon called One Writing Tip, in which great writers share one piece of advice they swear by that they think all emerging writers should know. And for more from us at Script Apart, hit subscribe if you haven’t already.</p><br><p>Script Apart is hosted by <a href="http://www.al-horner.com/" rel="noopener noreferrer" target="_blank">Al Horner</a> and produced by <a href="https://www.stepthree.co.uk/" rel="noopener noreferrer" target="_blank">Kamil Dymek</a>. Follow us on <a href="http://instagram.com/scriptapart" rel="noopener noreferrer" target="_blank">Instagram</a>, or email us on [email protected].</p><br><p>Support for this episode comes from <a href="http://www.finaldraft.com/" rel="noopener noreferrer" target="_blank">Final Draft</a>.</p><br><p>To get ad-free episodes and exclusive content, join us on <a href="http://www.patreon.com/scriptapart" rel="noopener noreferrer" target="_blank">Patreon</a>.</p><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>
March 28, 2025
<p>Praise Kier, it’s a Severance Script Apart special! In the spoiler conversation you’re about to hear, Dan Erickson – the dystopian workplace drama’s creator and showrunner – spills all the secrets that Lumon Industries will allow, about the season two finale that aired last week, and our real-world relationships with work, corporations and personal pain that the show offers a meditation on.</p><br><p>The series, starring Adam Scott, Britt Lower, John Tuturro and Zach Cherry, debuted on Apple TV+ in 2022 at the exact right time: post-pandemic, a new Zoom-aided groundswell of people found themselves now “working from home” in a way that might be better described as “living at work.” Studies showed Brits and Americans were working longer than hours than ever and tethered to their desks in this round the clock way that made Severance’s story – of characters trapped in an endless hellscape of never-ending work – hit in this deeply relatable way. All work and no play… you know the rest.</p><br><p>It was a three year wait for season two, but the payoff was worth it. This latest batch of episodes delved deeper into the lives and psyches of Mark S, Helly R and their “Outies” – the versions of themselves who have no recollection of their job once they leave; it’s like they’re never there. And in doing so, new questions and philosophical dilemmas were thrown at us in the audience about personhood under capitalism, who deserves what rights and what constitutes a soul. </p><br><p>Listen out for Dan’s revelations about his drastically different original pilot for the show, and his breakdown of every twist and turn in this final episode including that ambiguous line of Helly’s – “I’m her.” We also get into the hardship from Dan’s life that he’s glad he didn’t sever from: a period of depression in which he learned there’s “power in clawing your way out of a dark place.” It made him the writer he is today – the writer responsible for Severance.</p><br><p>Script Apart is hosted by <a href="http://www.al-horner.com/" rel="noopener noreferrer" target="_blank">Al Horner</a> and produced by <a href="https://www.stepthree.co.uk/" rel="noopener noreferrer" target="_blank">Kamil Dymek</a>. Follow us on <a href="http://instagram.com/scriptapart" rel="noopener noreferrer" target="_blank">Instagram</a>, or email us on [email protected].</p><br><p>Support for this episode comes from <a href="http://www.finaldraft.com/" rel="noopener noreferrer" target="_blank">Final Draft</a>.</p><br><p>To get ad-free episodes and exclusive content, join us on <a href="http://www.patreon.com/scriptapart" rel="noopener noreferrer" target="_blank">Patreon</a>.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>
February 24, 2025
How do you follow a film like Longlegs, the chilling riff on serial killer thrillers that became one of the cult smashes of 2024? The answer, if you’re acclaimed writer-director Osgood Perkins, is to first swap out the pressure-cooker dread of that breakout hit. Next, add a cursed toy monkey. Then, harvest the wildest, darkest parts of your imagination for some of the most gruesome demises ever seen on screen. And finally, package all of the above into an existentialist comedy about embracing...
Meg LeFauve & Lorien McKenna
John August and Craig Mazin
Chris O'Falt
Ben Blacker
No Film School
James Ellis Deakins, Roger Deakins
CinemaBlend
KCRW
A24
The Ringer
KCRW
Indiewire: Screen Talk
Film Comment Magazine
The Ringer
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