by No Film School
A podcast about how to build a career in filmmaking. No Film School shares the latest opportunities and trends for anyone working in film and TV. We break news on cameras, lighting, and apps. We interview leaders in screenwriting, directing, cinematography, editing, and producing. And we answer your questions! We are dedicated to sharing knowledge with filmmakers around the globe, “no film school” required.
Language
🇺🇲
Publishing Since
6/16/2016
Email Addresses
1 available
Phone Numbers
0 available
April 17, 2025
Director Mimi Cave joins No Film School’s GG Hawkins and guest co-host Madison Lanesey for a candid conversation about her path from dance to directing, maintaining artistic vision in the studio system, and fostering a grounded and collaborative atmosphere on set. Mimi opens up about the emotional rollercoaster of filmmaking, the practical steps she takes to craft immersive visual tones, and how she cultivates trust with her actors and crew. The episode offers a rare glimpse into the behind-the-scenes processes of her features Fresh and Holland, along with valuable insights for emerging filmmakers. In this episode, No Film School's GG Hawkins, guest co-host Madison Lanesey, and guest Mimi Cave discuss... Mimi’s creative origins in dance and how it led her into filmmaking The challenges and strategies of transitioning from indie to studio features Post-feature emotional “off-boarding” and how to manage the crash Establishing a calm and collaborative environment on set How she works with actors and tailors her directing approach to each personality Maintaining creative control within the studio system The importance of curiosity, asking questions, and embracing not knowing Building strong collaborative relationships with DPs, editors, and producers Memorable Quotes: "You get addicted to that... being needed all day is really amazing." "Take everything two days at a time... Anything after that's going to change anyways." "I walked into the set and I was like, you could hear a pin drop... it was so peaceful." "Some of the best filmmakers ever are some of the most unique, nerdy, freaky, out there people." Guest: Mimi Cave Resources: Fresh – Available on Hulu Holland – Available on Amazon Prime Video Find No Film School everywhere: On the Web: No Film School Facebook: No Film School on Facebook Twitter: No Film School on Twitter YouTube: No Film School on YouTube Instagram: No Film School on Instagram 📩 Send us an email with questions or feedback: [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices
April 11, 2025
Writer-director Christopher Landon joins No Film School’s GG Hawkins to discuss his newest film Drop, a sharp, suspenseful thriller starring Meghann Fahy. Known for genre-bending films like Happy Death Day, Freaky, and We Have a Ghost, Landon dives deep into his evolution as a filmmaker, how he overcame early failures, the importance of authenticity in storytelling, and the meticulous craft behind building tension. Landon also opens up about creating a supportive environment on set, casting with intuition, and how trusting his gut has shaped his career. In this episode, No Film School’s GG Hawkins and guest Christopher Landon discuss: How Christopher Landon’s love of horror movies began as a kid Early career failures and how they became pivotal learning moments Writing and selling Disturbia and joining the Paranormal Activity franchise The "feel-good horror" tone he discovered with Happy Death Day How Drop evolved from script to final film Shooting in sequence to elevate performances The importance of a supportive, no-asshole policy set How trusting his gut guides casting, shooting, and script decisions Advice for emerging filmmakers working within the studio system Memorable Quotes: "Failure is the greatest teacher." "If it ain’t on the page, it ain’t on the stage." "Casting is the one thing where I tune everybody out. I have to know it in my marrow." "Hollywood is seductive — don't chase the shiny things." Guest: Christopher Landon Resources: The 7 Best Plot Twists of All Time Find No Film School everywhere: On the Web: No Film School Facebook: No Film School on Facebook Twitter: No Film School on Twitter YouTube: No Film School on YouTube Instagram: No Film School on Instagram 📩 Send us an email with questions or feedback: [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices
April 3, 2025
What don't they tell you? They you gotta take a break! In this episode, No Film School's GG Hawkins and Jason Hellerman sit down with editor Max Goldblatt, who cut the heartfelt and hilarious indie road trip film Sacramento. Directed by Michael Angarano and starring Michael Cera, Kristen Stewart, and Maya Erskine, the film made waves at Tribeca and has since garnered a devoted following. Max shares how he got into editing, his long-time collaboration with Angarano, and offers invaluable insight into the nuanced craft of post-production—especially on a tight budget and timeline. In this episode, No Film School's GG Hawkins and guest Max Goldblatt discuss... How Max and director Michael Angarano formed their creative bond through music The challenges and victories of licensing a Rolling Stones song for an indie film Editorial techniques like split compositions and how they elevate performance Why taking breaks during the edit can lead to better storytelling Max’s unconventional path into editing and the moment he almost walked away from filmmaking The balance between instinct and structure when cutting complex character scenes Memorable Quotes: “Michael kind of broke the cardinal rule of putting a song in the script.” “Sometimes there's just this alchemy when you choose something maybe almost at random.” “I was about to quit trying to pursue film period before I was connected with Mike Angarano.” “Sometimes it takes feedback or questions that people have about characters, and you realize that the answer was there all along.” Guests: Max Goldblatt Resources: Sacramento on IMDb Michael Angarano’s first film, Avenues Robert Schwartzman's film The Argument Jason Hellerman's article on "Man on a Mission" stories Find No Film School everywhere: On the Web: No Film School Facebook: No Film School on Facebook Twitter: No Film School on Twitter YouTube: No Film School on YouTube Instagram: No Film School on Instagram 📩 Send us an email with questions or feedback: [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices
Chris O'Falt
Meg LeFauve & Lorien McKenna
James Ellis Deakins, Roger Deakins
John August and Craig Mazin
Script Apart
A24
Indiewire: Screen Talk
Ben Blacker
KCRW
KCRW
CinemaBlend
Film Comment Magazine
The Ringer
SpectreVision Radio
Pod Engine is not affiliated with, endorsed by, or officially connected with any of the podcasts displayed on this platform. We operate independently as a podcast discovery and analytics service.
All podcast artwork, thumbnails, and content displayed on this page are the property of their respective owners and are protected by applicable copyright laws. This includes, but is not limited to, podcast cover art, episode artwork, show descriptions, episode titles, transcripts, audio snippets, and any other content originating from the podcast creators or their licensors.
We display this content under fair use principles and/or implied license for the purpose of podcast discovery, information, and commentary. We make no claim of ownership over any podcast content, artwork, or related materials shown on this platform. All trademarks, service marks, and trade names are the property of their respective owners.
While we strive to ensure all content usage is properly authorized, if you are a rights holder and believe your content is being used inappropriately or without proper authorization, please contact us immediately at [email protected] for prompt review and appropriate action, which may include content removal or proper attribution.
By accessing and using this platform, you acknowledge and agree to respect all applicable copyright laws and intellectual property rights of content owners. Any unauthorized reproduction, distribution, or commercial use of the content displayed on this platform is strictly prohibited.