by 小花花花花花
在“她的宇宙”里，我们透过影视作品、文学作品、社会热点等，看见与TA相关的性别议题。 争取两周一更吧谁知道呢！ “没有人听见也没关系，宇宙在意你”，来自《老友记》S07E13，Pheobe接到想自尽的接线员电话时，她说：These jerks might not care about you,but the universe does. 主播小花：学新闻的，媒体人。 主播Maki：学新闻的+1，大学老师。 小红书账号：她的宇宙her universe 分享我们的观影/阅读/音乐碎碎念
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Publishing Since
3/6/2024
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March 13, 2025
<p>回顾《老友记》，我们会想起Phoebe的天马行空，与Monica的强大内核，我们从Rachel的成长中照见自己，女性面临困境也拥有打破困境的勇气。</p><p>《老友记》是美好的，但却不是完美的，我们在其中看到了多元价值的可能性，也觉察到了其中存在着时代与文化的局限性。但我们依旧热爱它，只因它构建了一个美好的乌托邦，一个永恒的精神家园，在无数个深夜慰藉了我们渴望爱与友谊的心灵。</p><p><strong>【主播】</strong></p><p>小花、Maki</p><p><strong>【时间轴】</strong></p><p>00:02:10 奔着练英语去看的老友记，却埋下了多元价值的种子</p><p>00:08:29 一包毫不过时的香辛料，一个充满美好的乌托邦 </p><p>00:11:58<strong>灵魂人物Monica：</strong>“难搞”但强大，内心深处永远住着敏感善良的小胖子</p><p>00:21:35 <strong>Phoebe的怪诞哲学：</strong>关心自然与生灵，宇宙精神是解构一切并永远热爱自己</p><p>00:31:39 <strong>Rachel的成长之路：</strong>当所有人都说富家女的路应该这样走，what if I don’t wanna be a shoe？</p><p>00:44:59 老友记里有毒的男性气质与社会文化的局限性 </p><p>00:53:39 但这些剧集在90年代就为女性提出了单身生育的可能性 </p><p>00:57:55 亲爱的Matthew，愿你像Chandler一样快乐</p><p><strong>【BGM】I'll be there for you </strong></p>
January 21, 2025
<p><strong>点这里收听上集：那不勒斯四部曲（上）：天才还是恶魔？莉拉如何化解男性主导的暴力历史</strong> <a href="https://www.xiaoyuzhoufm.com/episodes/675ee4507d8426f692473fff">www.xiaoyuzhoufm.com</a></p><p>《四部曲》中的另一位女性主角莱农，作为旧时意大利接受教育的女性代表，成功践行了“知识改变命运”的道路，后又因为职业、婚姻跳上了新的阶级。然而，她最终选择直面个人欲望，放弃原本看似稳定的家庭生活，转向追求一条新的人生道路。</p><p>莱农与女友莉拉之间充满了嫉妒、碰撞、冲突、温情的女性情谊；她们出走与归来又再离开的故事；她们与母亲相似又不同的命运；她们生命中的高尚与低劣，欲望与妥协，无不令我们着迷。</p><p><strong>【主播】</strong></p><p>小花、Maki</p><p><strong>【时间轴】</strong></p><p>00:00:36 莱农：具备先进性的受教育女性与时代枷锁的矛盾</p><p>00:05:31 莱农和莉拉到底谁是“天才”？</p><p>00:08:44 痴迷尼诺的莱农应该被谴责吗？</p><p>00:13:19 莱农与莉拉的友谊：嫉妒、抵触、碰撞、拥抱、共同保护正义</p><p>00:20:40 在这段友谊中，莉拉似乎比莱农更脆弱</p><p>00:24:08 莉拉与莱农的多次出走、回归与再离开</p><p>00:33:20 通过书写再造莉拉的莱农，似乎成为了她的“母亲”</p><p>00:35:55 费兰特笔下母亲与女儿间复杂而幽微的联系</p><p>00:41:46 贯穿始终的尼诺与意大利社会世俗化转向和女性意识的萌芽</p><p>00:54:35 我们为何爱《四部曲》：贴近生活的女性成长与女性构建历史的温和战斗</p><p><strong>【BGM】</strong>In Spite Of All-Max Richter</p>
December 15, 2024
小花 and Maki explore Elena Ferrante's portrayal of female resilience and friendship in 'My Brilliant Friend,' a nuanced reimagining of Italy's violent history through a feminist lens.
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